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21 School 701 BROADWAY accompaniment admirable American Anthem artist audience bass beautiful Beethoven BEST PIANO-FORTE Boston Broadway BRONZE MEDAL cents choir choral chorus Church commence composer compositions concert Crystal Palace Donizetti duet England English exhibition feeling Festival Fidelio fugue genius German give Glees GOLD MEDAL Hall Handel harmony Haydn hear heard Herr Illinois State Fair instruments Israel in Egypt Italian Journal Liszt London MASS master MELODEONS melody Mendelssohn ment Messiah Messrs Meyerbeer Miss Mozart musicians Novello's opera oratorio orchestra organ overture Paris Parlor Grand performance Philadelphia piano pieces played Price programme Quartet rehearsal Rossini sang SATURDAY School Street season Signor SILVER MEDAL Sims Reeves singers singing Society solo Sonatas song soprano sound SQUARE PIANOS style sung Symphony taste TEACHER tenor Theatre tion tones Trio violin vocal voice Washington Street week whole words York
Pahina 59 - Amidst the storm they sang, And the stars heard and the sea ; And the sounding aisles of the dim woods rang To the anthem of the free.
Pahina 73 - Or tell a more marvellous tale. So she keeps him still a child, And will not let him go, Though at times his heart beats wild For the beautiful Pays de Vaud ; Though at times he hears in his dreams The Ranz des Vaches of old, And the rush of mountain streams From glaciers clear and cold ; And the mother at home says, " Hark ! For his voice I listen and yearn ; It is growing late and dark, And my boy does not return !
Pahina 197 - That even to birds, and beasts, the tender arts Of pleasing teaches. Hence the glossy kind Try every winning way inventive love Can dictate, and in courtship to their mates Pour forth their little souls.
Pahina 291 - Hide not thy face from me in the day when I am in trouble; incline thine ear unto me: in the day when I call answer me speedily.
Pahina 58 - ... tis said, when all were fired. Filled with fury, rapt, inspired, From the supporting myrtles round They snatched her instruments of sound ; And, as they oft had heard apart Sweet lessons of her forceful art, Each (for madness ruled the hour) Would prove his own expressive power. First Fear his hand, its skill to try, Amid the chords bewildered laid, And back recoiled, he knew not why, E'en at the sound himself had made.
Pahina 57 - The voice of him that crieth in the wilderness :— Prepare ye the way of the Lord : make straight in the desert a highway for our God. Every valley shall be exalted, and every mountain and hill made low, the crooked straight and the rough places plain...
Pahina 309 - The crimes and miseries in which she was an actor and a sufferer are as the mask and the mantle in which circumstances clothed her for her impersonation on the scene of the world.
Pahina 146 - One singer in particular, called Coletti or some such name, seemed to me, by the cast of his face, by the tones of his voice, by his general bearing, so far as I could read it, to be a man of deep and ardent sensibilities, of delicate intuitions, just sympathies ; originally an almost poetic soul, or man of genius, as we term it ; stamped by Nature as capable of far other work than squalling here, like a blind Samson, to make the Philistines sport...
Pahina 309 - ... golden hair escape, and fall about her neck. The moulding of her face is exquisitely delicate; the eyebrows are distinct and arched; the lips have that permanent meaning of imagination and sensibility which suffering has not repressed and which it seems as if death scarcely could extinguish. Her forehead is large and clear; her eyes, which we are told were remarkable for their vivacity, are swollen with weeping and lustreless, but beautifully tender and serene. In the whole mien there is...
JSTOR: What They Heard: Music in America, 1852-1881, From the ...
RIPM Journal Information
PAL: John Sullivan Dwight (1813-1893)
JOHN SULLIVAN DWIGHT, FIRST AMERICAN CRITIC OF MUSIC
Journal of Social History: "Whence comes the lady tympanist ...
"For Not in Words Can It Be Spoken": John Sullivan Dwight's ...
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