The Emergence of Modern Drama in the Philippines (1898-1912) |
Contents
CHAPTER I | 1 |
PREMODERN FILIPINO DRAMA | 14 |
The Characteristics of the Kumedya | 25 |
9 other sections not shown
Common terms and phrases
1817 LIBRARIES Alang Dios American occupation anti-colonialist plays arrested audience Balagtas barangay Bonifacio Carvajal characters CHIGAN comedia Compañía Cruz cultural domestic dramatic and theatrical early modern Filipino fiesta Fray Botod género chico genre ilustrados Inangbayan Javillonar Jose Jose Rizal K'Ulayaw Kahapon Katipunan Katipuneros kumedya kumedya or moro-moro Lapeña-Bonifacio later Liwanag Lopez Magtanggol Maimbot Malaya Manila Manila Cablenews Manlupig Manuel masses MICHIGAN MICHIGAN modern drama modern Filipino drama modern Filipino plays Moro moro-moro Nagtapon native zarzuelas newspaper Ngayon nineteenth century non-musical plays one-act opera Pampanga province Pampango Pangasinan Patricio Mariano performance Philippine Studies playwrights political principalía Propaganda Movement province Quezon City Ratia Retana Revolution Rizal sainete Say Liman Scene seditious Severino Reyes social Spain Spaniards Spanish Spanish friars Spanish plays Spanish zarzuelas Synopsis Tagalog Tagalog zarzuela Tagaroma Tanikalang Guinto Teatro Tenyong Teodoro Agoncillo themes three-act UNIV University vernacular Walang Sugat wrote zarzuela chica