In distant hallelujahs stole Wild murmuring o'er the raptured soul. On wheels of light, on wings of flame High heaven with songs of triumph rung "O Zion, lift thy raptured eye, "He comes to cheer the trembling heart, Again the day star gilds the gloom, Campbell's "Lochiel," "Lord Ullin's Daughter" and "Hohenlinden" endear his name to all the world. One night in Edinburgh he had a number of choice spirits for a time of festivity at his rooms, Sir Walter Scott being among the number. They broke up along in the "wee sma' hours ayont the twal." Scott, being lame, was a little unfortunate in missing the top step of the outer stairs, and so fell, rolling down a number of steps, making a great clatter. Campbell sprang to the door with a candle, crying, "Who's there?" From the dark depths came up Scott's cheerful voice, with a line from "Hohenlinden," ""Tis 'Iser rolling rapidly.' When Campbell awoke the morning after the publication of his "Pleasures of Memory" he found himself famous, nor have the passing years diminished his reputation. But while the "Pleasures of Memory" and "Gertrude of Wyoming" roll their great rivers of thought and feeling through the realm of literature, there is a little Pierian fountain springing up among his minor pieces-as imaginative as Poe's "Raven," without the raving-which has always held a weird fascination for this writer. In these days when the newspapers are already reporting the losses in the great European war as 8,000,000, besides 500,000 Armenians murdered, it does not require a wonderful stretch of fancy to conjure up a possible realization of Campbell's picture of "The Last Man:" All wordly shapes shall melt in gloom, The Sun himself must die Before this mortal shall assume I saw a vision in my sleep That gave my spirit strength to sweep Adown the gulf of Time! I saw the last of human mold The Sun's eye had a sickly glare, Some had expired in fight-the brands In plague and famine some! Earth's cities had no sound nor tread; Yet, prophet-like, that lone one stood That shook the sere leaves from the wood Saying, "We are twins in death, proud Sun! Thy face is cold, thy race is run, 'Tis Mercy bids thee go; For thou, ten thousand-thousand years "What though beneath thee man put forth His pomp, his pride, his skill; And arts that made fire, flood and earth, Yet mourn I not thy parted sway, And triumphs that beneath thee sprang, "Go; let oblivion's curtain fall Its piteous pageants bring not back, "Ev'n I am weary in yon skies My lips that speak thy dirge of death Their rounded gasp and gurgling breath To see thou shalt not boast. The eclipse of Nature spreads my pall— "This spirit shall return to Him "Go, Sun, while Mercy holds me up To drink this last and bitter cup Thou saw'st the last of Adam's race On Earth's sepulchral clod, The darkening universe defy Or shake his trust in God." THE following splendid hymn, much endeared to the Christian church, was written by Rev. Samuel Medley, of Liverpool, who died in 1799. It is founded upon Isiah lxiii., 7: "I will mention the loving kindness of the Lord:" Awake, my soul, in joyful lays, And sing thy great Redeemer's praise; He saw me ruined by the fall, Though numerous hosts of mighty foes, I often feel my sinful heart Soon shall I pass the gloomy vale; Then let me mount and soar away It is always a mistake to supplant a great word by an inferior. In a late version of the Bible we find the "tabernacle of David" changed to the "hut" of David, and the word "mercy" repeatedly used instead of the great, grand, embracing word "loving-kindness." Mercy is vastly inferior to loving kindness. The judge may show mercy to the prisoner, but never exhibits nor feels a particle of loving kindness unless he be some large souled Ben Lindsey. De Quincey well said: "The sacrificing of the majestic language of the Bible must end in the ruinous dilution of re |