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Ir to inform the understanding, and regulate the will, is the most lasting and diffusive benefit, there will not be found so useful and excellent an institution as that of the Christian priesthood, which is now become the scorn of fools. That a nume

rous order of men should be consecrated to the study of the most sublime and beneficial truths, with a design to propagate them by their discourses and writings, to inform their fellow-creatures of the being and attributes of the Deity, to possess their minds with the sense of a future state, and not only to explain the nature of every virtue and moral duty, but likewise to persuade mankind to the practice of them by the most powerful and engaging motives, is a thing so excellent and necessary to the well-being of the world, that no body but a modern Freethinker could have the forehead or folly to turn it into ridicule.

The light in which these points should be exposed to the view of one who is prejudiced against the names religion, church, priest, and the like, is, to consider the clergy as so many philosophers, the churches as schools, and their sermons as lectures for the information and improvement of the audience. How would the heart of Socrates or Tully have rejoiced, had they lived in a nation where the law had made provision for philosophers to read lectures of morality and theology every seventh day, in several thousands of schools erected at the public charge throughout the whole country; at which lectures all ranks and sexes, without distinction, were obliged to be present for their general improvement ! And what wicked wretches would they think those men, who should endeavour to defeat the purpose of so Divine an institution!

It is indeed usual with that low tribe of writers, to pretend their design is only to reform the Church, and expose the vices and not the order of

the clergy. The author of a pamphlet printed the other day (which, without my mentioning the title, will on this occasion occur to the thoughts of those who have read it) hopes to insinuate by that artifice what he is afraid or ashamed openly to maintain. But there are two points which clearly shew what it is he aims at:-The first is, that he constantly uses the word priest in such a manner, as that his reader cannot but observe he means to throw an odium on the clergy of the Church of England, from their being called by a name which they enjoy in common with Heathens and Impostors. The other is, his raking together, and exaggerating with great spleen and industry, all those actions of Churchmen, which, either by their own illness, or the bad light in which he places them, tend to give men an ill impression of the dispensers of the Gospel: all which he pathetically addresses to the consideration of his wise and honest countrymen of the laity. The sophistry and ill-breeding of these proceedings are so obvious to men who have any pretence to that character, that I need say no more either of them or their author.

SECTION VII.

Dignity of the Scripture Language.

With hymns divine the joyous banquet ends;
The Pæans lengthen'd till the sun descends :
The Greeks restored the grateful notes prolong;
Apollo listens, and approves the song. POPE.

THERE is a certain coldness and indifference in the phrases of our European languages, when they are compared with the Oriental forms of speech; and it happens very luckily, that the Hebrew idioms run into the English tongue with a particular grace and beauty. Our language has

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received innumerable elegancies and improvements, from that infusion of Hebraisms which are derived! to it out of the poetical passages in Holy Writ. They give a force and energy to our expressions, warm and animate our language, and convey our thoughts in more ardent and intense phrases than any that are to be met with in our own tongue.

There is something so pathetic in this kind of diction, that it often sets the mind in a flame, and makes our hearts burn within us. How cold and

dead does a prayer appear, that is composed in the most elegant and polite forms of speech which are natural to our tongue, when it is not heightened by that solemnity of phrase which may be drawn from the Sacred Writings! It has been said by some of the ancients, that if the gods were to talk with men, they would certainly speak in Plato's style; but I think we may say with justice, that when mortals converse with their Creator, they cannot do it in so proper a style as in that of the Holy Scriptures.

If any one would judge of the beauties of poetry that are to be met with in the Divine Writings, and examine how kindly the Hebrew manners of speech mix and incorporate with the English, language, after having perused the book of Psalms let him read a literal translation of Horace or Pindar. He will find in these two last such an absurdity and confusion of style, with such a compa rative poverty of imagination, as will make h very sensible of what I have been here advancin

Since we have, therefore, such a treasury of words, so beautiful in themselves, and so proper for the airs of music, I cannot but wonder that persons of distinction should give so little attention and encouragement to that kind of music which would have its foundation in reason, and which would improve our virtue in proportion as it raised our delight. The passions that are excited by or

dinary compositions generally flow from such silly and absurd occasions, that a man is ashamed to reflect upon them seriously; but the fear, the love, the sorrow, the indignation, that are awakened in the mind by hymns and anthems, make the heart better, and proceed from such causes as are altogether reasonable and praiseworthy. Pleasure and duty go hand-in-hand, and the greater our satis faction is, the greater is our religion.

Music, among those who were styled the chosen people, was a religious art. The songs of Zion, which, we have reason to believe, were in high repute among the Courts of the Eastern monarchs, were nothing else but psalms and pieces of poetry that adored or celebrated the Supreme Being. The greatest conqueror in this holy nation, after the manner of the old Grecian lyrics, did not only compose the words of his Divine odes, but generally set them to music himself: after which, his works, though they were consecrated to the tabernacle, became the national entertainment, as well as the devotion of his people.

The first original of the drama was a religious worship consisting only of a chorus, which was nothing else but a hymn to a deity. As luxury and voluptuousness prevailed over innocence and religion, this form of worship degenerated into tragedies in which, however, the chorus so far remembered its first office, as to brand every thing hat was vicious, and recommend every thing that as laudable; to intercede with Heaven for the innocent, and to implore its vengeance on the criminal.

Homer and Hesiod intimate to us how this art should be applied, when they represent the Muses as surrounding Jupiter, and warbling their hymns about his throne. I might shew, from innumerable passages in ancient writers, not only that vocal and instrumental music were made use of in their

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religious worship, but that their most favourite diversions were filled with songs and hymns to their respective deities. Had we frequent entertainments of this nature among us, they would not a little purify and exalt our passions, give our thoughts a proper turn, and cherish those Divine impulses in the soul, which every one feels that has not stifled them by sensual and immoderate pleasures.

Music, when thus applied, raises noble hints in the mind of the hearer, and fills it with great conceptions. It strengthens devotion, and advances praise into rapture. It lengthens out every act of worship, and produces more lasting and permanent impressions in the mind, than those which accompany any transient form of words that are uttered in the ordinary method of religious worship.

Munere.

Fungar inani

O.

VIRG. Æn. VI. 1. 885. An unavailing duty I discharge.

DR. TILLOTSON, in his discourse concerning the danger of all known sin, both from the light of nature and revelation, after having given us the description of the last day out of Holy Writ, has this remarkable passage:

"I appeal to any man, whether this be not a representation of things very proper and suitable to that great day, wherein he who made the world shall come to judge it; and whether the wit of man devised any thing so awful, and so agreeable to the majesty of God, and the solemn judgment of the whole world. The description which Virgil makes of the Elysian fields and the infernal regions, how infinitely do they fall short of the majesty of the Holy Scripture, and the description there made of heaven and hell, and of the great and terrible day of the Lord! so that in comparison they are child

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