Clockwork MuseWhat determines the evolution of styles in poetry, painting, music, and architecture? Are there universal laws of art history to which even Shakespeare, Beethoven, and Picasso were subject? In this highly original and provocative book, cognitive psychologist Colin Martindale challenges conventional theories that seek to explain changes in the arts as the result of political, religious, or social forces. "Social forces do not cause change in art; they distort it," he writes. Martindale argues that it is the pressure for novelty that shapes individual artistic careers and trends, whether in literature, music, or the visual arts....Through the use of computer models and experimental simulations, Martindale explores the psychological factors involved in producing novel responses and he traces the stylistic changes that derive from this need for novelty.--Book jacket. |
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Page 21
... reality , they set about figuring out how to paint ever more distorted representations of reality . In fact , old - fashioned painters have always done representations that look fine to nonpainters . Every innovation has been a ...
... reality , they set about figuring out how to paint ever more distorted representations of reality . In fact , old - fashioned painters have always done representations that look fine to nonpainters . Every innovation has been a ...
Page 27
... reality ( Machery 1966 ; Trotsky 1968 [ 1925 ] ) . Though the artist may attempt to depict prototypical situations or characters , these do not directly reflect social reality but present an idealized average . Since such art is not ...
... reality ( Machery 1966 ; Trotsky 1968 [ 1925 ] ) . Though the artist may attempt to depict prototypical situations or characters , these do not directly reflect social reality but present an idealized average . Since such art is not ...
Page 160
... reality . Emerson loved it . He said , in his Harvard Divinity School address , that it isn't mundane at all if you look at it right : “ God IS , not WAS , " and manifests Himself in everyday , common reality . Poets should believe this ...
... reality . Emerson loved it . He said , in his Harvard Divinity School address , that it isn't mundane at all if you look at it right : “ God IS , not WAS , " and manifests Himself in everyday , common reality . Poets should believe this ...
Contents
A Scientific Approach to Art and Literature | 1 |
A Psychological Theory of Aesthetic Evolution | 34 |
Modern French Poetry | 77 |
Copyright | |
8 other sections not shown
Common terms and phrases
aesthetic evolution Akhenaten American poetry amount of primordial analysis argued arousal potential art history artists audience autocorrelations autoregressive average baroque Baudelaire British poetry century complex composers Composite Variability Index computed conceptual concrete consecutive twenty-year periods correlations cross-media styles decline decrease dimensions Divine Comedy emotion equation evolutionary theory example explain figure French poetry gothic gothic architecture idea incongruous increase arousal potential indices John laws linear literary literature Martindale meaning measure melodic originality metaphysical poets multidimensional scaling narrative neoclassic oscillations painters painting paradigm percent poem poetic poets born predicted pressure for novelty primordial cognition primordial content primordial thought prior period produce psychology random reason reflectionist regression Reproduction romantic sample scales scientific scores selection shown significant similar social statistically stimuli stylistic change subjects T. S. Eliot tend texts themes theoretical things tion trend in primordial ukiyo-e variance variation versus words