Clockwork MuseWhat determines the evolution of styles in poetry, painting, music, and architecture? Are there universal laws of art history to which even Shakespeare, Beethoven, and Picasso were subject? In this highly original and provocative book, cognitive psychologist Colin Martindale challenges conventional theories that seek to explain changes in the arts as the result of political, religious, or social forces. "Social forces do not cause change in art; they distort it," he writes. Martindale argues that it is the pressure for novelty that shapes individual artistic careers and trends, whether in literature, music, or the visual arts....Through the use of computer models and experimental simulations, Martindale explores the psychological factors involved in producing novel responses and he traces the stylistic changes that derive from this need for novelty.--Book jacket. |
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Page 184
Colin Martindale. I used a statistical procedure to see how well subjects agreed in these ratings . If subjects don't agree in their ratings , the ratings aren't good for much . If they do agree , one can average across subjects and get ...
Colin Martindale. I used a statistical procedure to see how well subjects agreed in these ratings . If subjects don't agree in their ratings , the ratings aren't good for much . If they do agree , one can average across subjects and get ...
Page 304
... subjects correctly guessed that the paintings were by Picasso . The subjects ' estimates of creation dates correlated with the actual dates ; but the average estimated date of creation , 1797 , made me reasonably sure that the subjects ...
... subjects correctly guessed that the paintings were by Picasso . The subjects ' estimates of creation dates correlated with the actual dates ; but the average estimated date of creation , 1797 , made me reasonably sure that the subjects ...
Page 346
... subject composed a simile or a story , the second made a response that was supposed to be more original , and so on , until all ten subjects had made a response . In these studies , each subject got to see all previous responses . Subjects ...
... subject composed a simile or a story , the second made a response that was supposed to be more original , and so on , until all ten subjects had made a response . In these studies , each subject got to see all previous responses . Subjects ...
Contents
A Scientific Approach to Art and Literature | 1 |
A Psychological Theory of Aesthetic Evolution | 34 |
Modern French Poetry | 77 |
Copyright | |
8 other sections not shown
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aesthetic evolution Akhenaten American poetry amount of primordial analysis argued arousal potential art history artists audience autocorrelations autoregressive average baroque Baudelaire British poetry century complex composers Composite Variability Index computed conceptual concrete consecutive twenty-year periods correlations cross-media styles decline decrease dimensions Divine Comedy emotion equation evolutionary theory example explain figure French poetry gothic gothic architecture idea incongruous increase arousal potential indices John laws linear literary literature Martindale meaning measure melodic originality metaphysical poets multidimensional scaling narrative neoclassic oscillations painters painting paradigm percent poem poetic poets born predicted pressure for novelty primordial cognition primordial content primordial thought prior period produce psychology random reason reflectionist regression Reproduction romantic sample scales scientific scores selection shown significant similar social statistically stimuli stylistic change subjects T. S. Eliot tend texts themes theoretical things tion trend in primordial ukiyo-e variance variation versus words