The Revolution Was Televised: The Cops, Crooks, Slingers, and Slayers Who Changed TV Drama ForeverFocusing on twelve innovative television dramas that changed the medium and the culture at large (including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad) Sepinwall weaves incisive criticism with entertaining reporting about the real-life characters and conflicts behind the scenes. |
Contents
Previously in The Revolution Was Televised | 1 |
Chapter 1 | 23 |
Chapter 2 | 36 |
Chapter 3 | 73 |
Chapter 4 | 100 |
Chapter 5 | 134 |
Chapter 6 | 158 |
Chapter 7 | 195 |
Chapter 8 | 222 |
So say we | 248 |
Clear eyes full hearts | 277 |
Its a time machine | 306 |
Chapter 12 | 365 |
Epilogue | 421 |
Where are they now? | 441 |
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The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost ... Alan Sepinwall No preview available - 2013 |
Common terms and phrases
actors asked audience became become began better Breaking Bad Buffy cable called cast characters Chase coming David deal death didn’t direct don’t drama early episode everything executives fans feel felt final followed getting Gilligan give going happened hour idea interesting it’s Jack Jesse keep kill kind knew later Lights Lindelof lives look Lost Milch Moore move movie murder never Night NYPD once original period person pilot played producer realized recalls says scene script season seemed shot show’s Simon Sopranos Star started story success suggested talk television tell there’s things thought told Tony took tried trying turned viewers Walt wanted watch week Weiner Wire writers