Byron & Shakespeare - Wils KniIn this volume, G. Wilson Knight deals with the "superabundance of analogies between Byron and Shakespeare" through analysis and literarty criticism of poetry, sonnets and essays. |
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Page xii
... MACBETH ISI VI . TIMON AND SHYLOCK 188 VII . ANTONY AND CLEOPATRAS ; OTHELLO 227 VIII . TEMPESTS , LEAR , PROSPERO 262 IX . HENRY VIII 317 X. THE GOLDEN THREAD 333 APPENDIX : THE SEPARATION CONTROVERSY 351 INDEX OF NAMES AND TITLES 367 ...
... MACBETH ISI VI . TIMON AND SHYLOCK 188 VII . ANTONY AND CLEOPATRAS ; OTHELLO 227 VIII . TEMPESTS , LEAR , PROSPERO 262 IX . HENRY VIII 317 X. THE GOLDEN THREAD 333 APPENDIX : THE SEPARATION CONTROVERSY 351 INDEX OF NAMES AND TITLES 367 ...
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... Macbeth — his evenings were passed in seeing Shakespeare . He knew Shakespeare by heart . He lived Shakespeare . He made frequent mention in his journal of the Prince of Denmark's brusque tone . And in that winter of 1814 life itself ...
... Macbeth — his evenings were passed in seeing Shakespeare . He knew Shakespeare by heart . He lived Shakespeare . He made frequent mention in his journal of the Prince of Denmark's brusque tone . And in that winter of 1814 life itself ...
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... Macbeth ( v , v , 22 ) , Romeo and Juliet ( 111 , iii , 56 ) and King Lear ( 11 , iv , 289 ) : There is ice at both poles , north and south - all extremes are the same -- misery belongs to the highest and the lowest only , to the ...
... Macbeth ( v , v , 22 ) , Romeo and Juliet ( 111 , iii , 56 ) and King Lear ( 11 , iv , 289 ) : There is ice at both poles , north and south - all extremes are the same -- misery belongs to the highest and the lowest only , to the ...
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Contents
1 | |
II Sonnets and Seraphs | 24 |
III A Regency Hamlet | 73 |
IV Falstaff and Comedy | 117 |
V Richard III and Macbeth | 151 |
VI Timon and Shylock | 188 |
VII Antony and Cleopatras Othello | 227 |
VIII Tempests Lear Prospera | 262 |
IX Henry VIII | 317 |
X The Golden Thread | 333 |
The Separation Controversy | 351 |
367 | |
378 | |
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Common terms and phrases
action Antony appears beauty become Cain called cause Childe Harold Cleopatra corresponds dark death Don Juan drama dream earth England existence experience fear feel felt given Greece Hamlet heart Henry Hobhouse honour human imagination Italy Journal kind King Lady Lady Melbourne least leaving less letter light lines living Lord Byron Macbeth Manfred March marriage means mind Moore moral Murray mystery nature never once Parry passage passion perhaps period phrase play poem poet poetic poetry political present quoted reason records reference regarded relation remained Richard seems seen sense sexual Shakespeare's Shakespearian society Sonnets soul spirit strong suggests symbol tells Tempest thee things thinking thou thought Timon told tone true truth turn VIII whole writes written wrote young youth