Page images
PDF
EPUB

a full bat; and, only when you can step right up to the pitch of the ball, otherwise, by a twist it will escape you; and slow balls turn more than fast in a given space. 2ndly. You can only go in to such lengths as you can easily and steadily command: a very long step, or any unusual hurry, will hardly be safe with only the said two inches of wood to spare.

Now the questior is, with what lengths, against such bowling as Clarke's, can you step in steadily and safely, both as far as the pitch, and with full command of hand and eye? Remember, you cannot begin your step till you have judged the length; and this, with the curved line of a slow dropping ball, you cannot judge till within a little of its grounding; so, the critical time for decision and action is very brief, and, in that brief space, how far can you step secure of all optical illusions, for, Clarke can deceive you by varying both the pace and the curve of his ball?— Go and try. Again, when you have stepped in, where will you hit? On the ground, of course, and straight. And where are the men placed? Besides, are you aware of the difficulty of interchanging the steady game with right foot in your ground, with that springy and spasmodic impulse which characterises this "going in?" At a match at Lord's in 1849, I saw Brockwell score some forty runs with many hits off Clarke: he said to me, when he came out,

[ocr errors]

"Clarke cannot bowl his best to me; for, sometimes, I go in to the pitch of the ball, when pitched well up, and hit her away; at other times, I make a feint, and then stand back, and so Clarke gets off his bowling." He added, "the difficulty is to keep your temper and not to go in with a wrong ball." This, I believe, is indeed a difficulty,-a much greater difficulty than is commonly imagined. My advice to all players who have not made a study of the art of going in, and have not fully succeeded on practising days, is, by no means to attempt it in a match. It is not so easy as it appears. You will find Clarke, or any good slow bowler, too much for you.-"But, supposing I should stand out of my ground, or start before the ball is out of the bowler's hand?" Why, with an unpractised bowler, especially if in the constrained attitude of the overhand delivery, this manœuvre has succeeded in producing threes and fours in rapid succession. But Clarke would pitch over your head, or send in a quick underhand ball a little wide, and you would be stumped; and Wisden would probably send a fast toss about the height of your shoulder, and, being prepared to play perfectly straight at the pitch, you would · hardly raise your bat in time to keep a swift toss out of the wicket-keeper's hands.

The difficulty of curvilinear bowling is this:1st. As in making a catch, every fieldsman finds

that, in proportion as the ball has been hit up in the air, it is difficult to judge where to place himself: by the same law of sight, a fast ball that goes almost point-blank to its pitch, is far easier to judge than a slow ball that descends in a

curve.

2ndly. As the slow ball reaches the ground at a greater angle, it must rise higher in a given space; so, if the batsman misjudges the pitch of a slow ball by a foot, he will misjudge the rise to a greater extent than with a fast ball, which rises less abruptly. Hence, playing forward is less easy with slow, than with fast, bowling.

3dly. As to timing the ball, all the eye can discern in a body moving directly towards it, is the angle with the ground: to see the curve of a dropping ball you must have a side view. The man at Point can see the curve clearly; but not so the batsman. Consequently, the effect of the curve is left out in the calculation, and the exact time of the ball's approach is, to that extent, mistaken. Every one knows the difficulty of making a good half-volley-hit off a slow ball, because the timing is so difficult: great speed without a curve is less puzzling to the eye than a curvilinear movement, however slow. It were odd, indeed, if it were harder to hit a slow than a fast ball. No. It is the curve that makes difficult what of its pace alone would be easy. All

forward play, with slow bowling, is beset with the great difficulty of allowing for the curve. And what style of play does this suggest? Why, precisely what Clarke has himself remarked,— namely, that to fix the right foot as for fast bowling, and play with long reach forward, does not answer. You must be quick on your feet, and, by short quick action of the arms, hit the ball actually as it is, and not as you calculate it will be a second later. This is the system of men who play Clarke best; of Mr. Vernon, of Fuller Pilch, of Hunt of Sheffield, and of C. Browne: though these men also dodge Clarke; and, pretending sometimes to go out, deceive him into dropping short, and so play their heads against his. The best bowling is sometimes hit; but I have not heard of any man who found it much easier to score off Clarke than off other good bowlers. To play Clarke "on any foregone conclusion" is fatal. Every ball must be judged by its respective merits and played accordingly.

Again, as to cutting, or in any way crossing, these dropping or curvilinear balls. As a slow ball rises twice as much in a given space as a fast ball, of course the chances are greater that the at will not cover the ball at the point at which, by anticipation, you cut. If you cut at a fast ball, the height of its rise is nearly uniform, and

its course a straight line: so, most men like very fast bowling, because, if the hand is quick enough, the judgment is not easily deceived, for the ball moves nearly in straight lines. But, in cutting or in crossing a slow ball, the height of the rise varies enough to produce a mistake while the bat is descending on the ball.

Once more, in playing at a ball after its rise, a safe and forcible hit can only be made in two ways. You must either meet the ball with full and straight bat, or cut horizontally across it. Now, as slow balls generally rise too high for a hard hit with perpendicular bat, you are reduced generally to the difficulties of cutting or back play. Add to all this, that the bias from the hand and from the inequalities of the ground is much greater, and also that a catch, resulting from a feeble hit and the ball spinning off the edge of the bat, remains commonly so long in the air that every fieldsman can cover double his usual quantity of ground, and then we shall cease to wonder that the best players cannot score fast off slow bowling.

« PreviousContinue »