Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions

Front Cover
Rowman & Littlefield, 2001 - Drama - 282 pages
In this groundbreaking work, Claude Calame argues that the songs sung by choruses of young girls in ancient Greek poetry are more than literary texts; rather, they functioned as initiatory rituals in Greek cult practices. Using semiotic and anthropologic theory, Calame reconstructs the religious and social institutions surrounding the songs, demonstrating their function in an aesthetic education that permitted the young girls to achieve the stature of womanhood and to be integrated into the adult civic community. This first English edition includes an updated bibliography.
 

Contents

1 INTRODUCTION
1
11 Problems of fragments 1 and 3 of Alcman
2
113 The protagonists of fragments 1 and 3
4
115 The functions of the lyric chorus
7
12 Problems of method
9
122 The comparative method used to analyze the ritual
10
123 Semiotic approach
15
2 MORPHOLOGY OF THE LYRIC CHORUS
19
314 Hera
113
315 Aphrodite
123
316 Athena
128
317 Dionysus
134
318 Demeter
138
319 The chorus and the pantheon
140
32 Lacedaemonian rituals
141
321 Artemis
142

21 The chorusmembers
20
211 The number of chorusmembers
21
212 The sex of the chorusmembers
25
213 The age of the chorusmembers
26
214 The collective character of a group of chorusmembers
30
215 The companionship of the chorusmembers
33
22 Formal organization of the chorus
34
222 The arrangement of the chorusmembers
38
23 The choregos
43
232 The function of the choregos
48
The myth
49
myth and ritual
53
Alcman and Pindar
58
2324 Other examples of the role of the choregos
63
233 Figurative representations of the choregos
66
234 The distinctive qualities of the choregos
72
24 The activity of the chorus
74
242 The paean
76
243 The dithyramb
79
244 The citharodic nomos
80
245 The threnody
82
246 The epithalamiumhymenaeus
83
247 Other choral performances
85
3 CHORUS AND RITUAL
89
31 NonSpartan rituals
90
312 Rites dedicated to Artemis
91
313 Apollo
101
3212 Artemis Karyatis
149
3213 Artemis Orthia
156
3214 Artemis Korythalia
169
The Hyakinthia
174
323 Leukippides and Dionysiades
185
324 Helen
191
325 The Lacedaemonian cycle of initiation
202
4 THE FUNCTION OF THE LYRIC CHORUS
207
41 The chorus as institution
208
412 The circle of Sappho
210
413 The Spartan agele
214
414 The Spartan girls choruses
219
42 The pedagogical function of the lyric chorus
221
421 The lyric chorus as a place for education
222
422 The instruction given in the chorus
231
423 The metaphorical representation of education and marriage
238
43 Homoerotic relationships in the lyric chorus
244
431 Male homosexuality in Sparta and its Junction
245
432 Sapphos group
249
433 Female homophily in the myths
252
434 Female homoeroticism in Sparta
253
Individuality and collectivity
255
44 The female lyric chorus and tribal initiation
258
5 CONCLUSION
264
BIBLIOGRAPHY
267
GENERAL INDEX
275
Copyright

Other editions - View all

Common terms and phrases

About the author (2001)

Claude Calame is professor of Greek language and literature at the University of Lausanne in Switzerland.

Bibliographic information