The Irving Berlin Reader

Front Cover
OUP USA, Apr 19, 2012 - Music - 219 pages
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Without any formal training in music composition or even the ability to notate melodies on a musical staff, Irving Berlin took a knack for music and turned it into the most successful songwriting career in American history. Berlin was the first Tin Pan Alley songwriter to go "uptown" to Broadway with a complete musical score (Watch Your Step in 1914); he is the only songwriter to build a theater exclusively for his own work (The Music Box); and his name appears above the title of his Broadway shows and Hollywood films (iIrving Berlin's Holiday Inn), still a rare honor for songwriters. Berlin is also notable due the length of his 90+ year career in American Song; he sold his first song at the age of 8 in 1896, and passed away in 1989 at the age of 101 having outlived several of his own copyrights. Throughout his career, Berlin showed that a popular song which appealed to the masses need not be of a lesser quality than songs informed by the principles of "classical" music composition. Forty years after his last published song many of his songs remain popular and several have even entered folk song status ("White Christmas," "Easter Parade," and "God Bless America"), something no other 20th-century American songwriter can claim. As one of the most seminal figures of twentieth century, both in the world of music and in American culture more generally, and as one of the rare songwriters equally successful with popular songs, Broadway shows, and Hollywood scores, Irving Berlin is the subject of an enormous corpus of writing, scattered throughout countless publications and archives. A noted performer and interpreter of Berlin's works, Benjamin Sears has unprecedented familiarity with these sources and brings together in this Reader a broad range of the most insightful primary and secondary materials. Grouped together according to the chronology of Berlin's life and work, each section and article features a critical introduction to orient the reader and contextualize the materials within the framework of American musical history. Taken as a whole, they provide a new perspective on Berlin that highlights his musical genius in the context of his artistic development through a unique mix of first-hand views of Berlin as an artist, critical assessments of his work, and more general overviews of his life and work.
  

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Contents

Introduction
3
Musical Demon Early Years
7
Blue Skies Middle Years
77
The Melody Lingers On Later Years
121
Irving Berlin in His Own Words
163
Biographical Highlights
203
Suggested Reading
209
Index
211
GENERAL INDEX
213
Copyright

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About the author (2012)

Benjamin Sears is a singer who, along with pianist Bradford Conner, specializes in the Great American Songbook and the songs of Irving Berlin in particular. With Conner he has recorded four CDs of Berlin's music, featuring over fifty first-time recordings, with two more in process. Together they reconstructed Berlin's first two shows, the classic Dietz & Schwartz revue "The Band Wagon", and created a database of the complete lyrics of Yip Harburg. Sears haswritten on Berlin, Ann Ronell, the partnership of Fred Astaire and Bing Crosby, and has contributed pieces on women songwriters to The American National Biography and the upcoming second edition of The Grove Dictionary of American Music. Sears & Conner lecture regularly on American songwriters and thegreat performers of their music.