The Irving Berlin ReaderBenjamin Sears Without any formal training in music composition or even the ability to notate melodies on a musical staff, Irving Berlin took a knack for music and turned it into the most successful songwriting career in American history. Berlin was the first Tin Pan Alley songwriter to go "uptown" to Broadway with a complete musical score (Watch Your Step in 1914); he is the only songwriter to build a theater exclusively for his own work (The Music Box); and his name appears above the title of his Broadway shows and Hollywood films (iIrving Berlin's Holiday Inn), still a rare honor for songwriters. Berlin is also notable due the length of his 90+ year career in American Song; he sold his first song at the age of 8 in 1896, and passed away in 1989 at the age of 101 having outlived several of his own copyrights. Throughout his career, Berlin showed that a popular song which appealed to the masses need not be of a lesser quality than songs informed by the principles of "classical" music composition. Forty years after his last published song many of his songs remain popular and several have even entered folk song status ("White Christmas," "Easter Parade," and "God Bless America"), something no other 20th-century American songwriter can claim. As one of the most seminal figures of twentieth century, both in the world of music and in American culture more generally, and as one of the rare songwriters equally successful with popular songs, Broadway shows, and Hollywood scores, Irving Berlin is the subject of an enormous corpus of writing, scattered throughout countless publications and archives. A noted performer and interpreter of Berlin's works, Benjamin Sears has unprecedented familiarity with these sources and brings together in this Reader a broad range of the most insightful primary and secondary materials. Grouped together according to the chronology of Berlin's life and work, each section and article features a critical introduction to orient the reader and contextualize the materials within the framework of American musical history. Taken as a whole, they provide a new perspective on Berlin that highlights his musical genius in the context of his artistic development through a unique mix of first-hand views of Berlin as an artist, critical assessments of his work, and more general overviews of his life and work. |
Contents
Introduction | 3 |
Musical Demon Early Years | 7 |
Blue Skies Middle Years | 77 |
The Melody Lingers On Later Years | 121 |
Irving Berlin in His Own Words | 163 |
Biographical Highlights | 203 |
Suggested Reading | 209 |
211 | |
213 | |
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Common terms and phrases
Alexander Woollcott Alexander's Ragtime Band American music Annie Army ASCAP asked audience ballads Berlin songs Berlin wrote Bless America Blue Skies Broadway called chorus composer Copyright dance early Easter Parade Ellin Ethel Merman Excerpt famous film Fred Astaire George Gershwin Girl God Bless America Hammerstein Harold Arlen Harry hear Hollywood idea Irving Berlin Joplin Kern later look lyric lyricist melody morning Music Box Revue musical comedy never night Ocean opening opera performance pianist piano piece played popular music popular song published Reprinted by permission rhyme rhythm Richard Rodgers royalties sang score Show Business sing singer song writer song's songwriter stage star story Street success syncopated Ted Snyder Theatre third phrase Thousands Cheer Tin Pan Alley tion tune vaudeville verse Watch Your Step White Christmas words and music write written York Ziegfeld