Treatise on the knowledge necessary to amateurs in pictures, tr. and abridged by R. WhiteLongman & Company, 1845 - 338 pages |
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Results 1-5 of 53
Page 5
... grounds , of the productions of art , still occasions are not wanting to show me that one has always some- thing to learn ; for the subjects of instruction are multiplied without end , and dispersed throughout the whole of Europe . But ...
... grounds , of the productions of art , still occasions are not wanting to show me that one has always some- thing to learn ; for the subjects of instruction are multiplied without end , and dispersed throughout the whole of Europe . But ...
Page 9
... grounds sufficient to obtain the corro- boration of their opinion by connoisseurs ; who are aware how much particular taste may embellish any picture to our eyes , and can make allowance for this , provided only that the work have true ...
... grounds sufficient to obtain the corro- boration of their opinion by connoisseurs ; who are aware how much particular taste may embellish any picture to our eyes , and can make allowance for this , provided only that the work have true ...
Page 11
... without intention , as I will prove by my silence in every case in which it may be shown to the public that there is ground for such a com- plaint . CHAPTER II . OF THE QUALITIES WHICH ARE REQUIRED TO INTRODUCTION . 11.
... without intention , as I will prove by my silence in every case in which it may be shown to the public that there is ground for such a com- plaint . CHAPTER II . OF THE QUALITIES WHICH ARE REQUIRED TO INTRODUCTION . 11.
Page 15
... ground of one single monotonous tint , whether white , black , red , blue , green , or any other colour , without one being able to perceive about it those numberless and almost imperceptible variations of tint which one sees always in ...
... ground of one single monotonous tint , whether white , black , red , blue , green , or any other colour , without one being able to perceive about it those numberless and almost imperceptible variations of tint which one sees always in ...
Page 26
... ground line or base of the picture , the line of elevation , and what is called the horizontal line , or line of the distance , guide the hand of the painter with a certainty absolutely mathematical . He will be inexcusable then , if ...
... ground line or base of the picture , the line of elevation , and what is called the horizontal line , or line of the distance , guide the hand of the painter with a certainty absolutely mathematical . He will be inexcusable then , if ...
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Common terms and phrases
2d Edition admirable aërial agreeable Albert Durer amateur amongst ancient Andrea del Sarto artists Author beautiful become Berchem Caracci catalogues cause chapter clear-obscure cloth composition copy Corregio degree distinguished Domenichino Dyck effect empasto employed Engravings especially eyes figures France Gagny Gallery Gerard Gerard Dou Giorgione give Guido hand harmony History HOWITT Illustrations imitation Italian Italy John judge knowledge Leonardo da Vinci less letters light magical manner master means merit nature object observed opinion original painted painters Paul Veronese pencil perfect picture Plates Portrait possesses post 8vo practice present produce proper colours pupils Raphael remarkable Rembrandt render repaint Roman Rubens SECT spirit of wine sufficient taste Teniers thing tint tion Titian tone touch Trans transparent TREATISE true connoisseur truth tures Van Dyck varnish Venetian school Vignette Titles vols whole Woodcuts
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