ST. BARNABAS.

Ital. San Barnabà. Fr. Saint Barnabé. June 11.

ST. BARNABAS is usually entitled the Apostle Barnabas, because he was associated with the Apostles in their high calling; "and," according to Lardner, " though without that large measure of inspiration and high authority which was peculiar to the TWELVE APOSTLES, properly so called, yet he is to be considered as Apostolical, and next to them in sanctity." For this reason I place him here.

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St. Barnabas was a Levite, born in the island of Cyprus, and the cousin-german of Mark the evangelist. The notices of his life and character scattered through the Acts invest him with great personal interest. He it was who, after the conversion of Paul, was the first to believe in his sincerity, and took courage to present him to the other apostles, "who were afraid of him, and would not believe that he was a disciple." (Acts, xv. 39.) Barnabas afterwards became the fellowlabourer of Paul, and attended him to Antioch. We are told that "he was a good man, full of the Holy Ghost and of faith;" and to this the legendary traditions add, that he was a man of a most comely countenance, of a noble presence, grave and commanding in his step and deportment; and thence, when he and Paul were at Lystra together, they called Barnabas Jupiter, and Paul Mercurius." Subsequently, however, Paul and Barnabas fell into a dispute concerning Mark, and separated. The tradition relates that Barnabas and Mark remained for some time together, being united by the ties of friendship, as well as by those of kindred. Barnabas preached the Gospel in Asia Minor, Greece, and Italy; and there is an old legendary tradition that he was the first bishop of Milan. The legend also relates that every where he carried with him the Gospel of St. Matthew, written by the hand of the evangelist, preaching what was written therein; and when any were sick, or possessed, he laid the sacred writing upon their bosom, and they were healed; (a beautiful allegory this!) and it happened that as he preached in a synagogue of Judea against the Jews, they were seized with fury and took him, and put him to a cruel death. But Mark and the other Christians buried him with many tears.

The body of St. Barnabas remained in its place of sepulture till the days of the Emperor Zeno, when, according to Nicephorus, it was revealed in a dream to Antemius, that the apostle rested in a certain spot, and would be found there, with the Gospel of St. Matthew lying on his bosom. And so it happened: the remains were found; the Gospel was carried to the emperor at Constantinople; and a church was built, dedicated to St. Barnabas.

It is, I presume, in consequence of his being the kinsman of St. Mark, that Barnabas is more popular at Venice than elsewhere, and that devotional figures of him are rarely found except in Venetian pictures. He is represented as a man of majestic presence, holding in his hand the Gospel of St. Matthew, as in a fine picture by Bonifazio ; in his church at Venice he is represented over the high altar, throned as bishop, while St. Peter stands below.

He often occurs in subjects taken from the Acts and the life of St. Paul. In the scene in which he presents Paul to the other apostles, he is the principal personage; but in the scene at Paphos, where Elymas is struck blind, and at Lystra, he is always secondary to his great companion.

The Doctors of the Church.

I. THE FOUR LATIN FATHERS.

THE Evangelists and the Apostles represented in Art the Spiritual Church, and took their place among the heavenly influences. The great Fathers or Doctors were the representatives of the Church Militant on earth as teachers and pastors, as logicians and advocates, they wrote, argued, contended, suffered, and at length, after a long and fierce struggle against opposing doctrines, they fixed the articles of faith thereafter received in Christendom. For ages, and down to the present time, the prevailing creed has been that which was founded on the interpretations of these venerable personages. They have become, in consequence, frequent and important subjects of Art, particularly from the tenth century, -the period when, in their personal character, they began to be regarded not merely as gifted and venerable, but as divinely inspired; their writings appealed to as infallible, their arguments accepted as demonstration. We distinguish them as the Latin and the Greek Fathers. In Western Art, we find the Latin Fathers perpetually grouped together, or in a series: the Greek Fathers seldom occur except in their individual character, as saints rather than as teachers.

The four Latin Doctors are St. Jerome, St. Ambrose, St. Augustine, and St. Gregory. When represented together, they are generally distinguished from each other, and from the sacred personages who may be grouped in the same picture, by their conventional attributes. Thus St. Jerome is sometimes habited in the red hat and crimson robes of a cardinal, with a church in his hand; or he is a half-naked, bald-headed, long-bearded, emaciated old man, with eager wasted features, holding a book and pen, and attended by a lion. St. Ambrose wears the episcopal robes as bishop of Milan, with mitre and crosier, and holds his book; sometimes, also, he carries a knotted scourge, and a bee-hive is near him. St. Augustine is also habited as a bishop, and carries a book; he has often books at his feet, and sometimes a flaming heart