The Revolution Was Televised: How The Sopranos, Mad Men, Breaking Bad, Lost, and Other Groundbreaking Dramas Changed TV Forever

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Simon and Schuster, Feb 19, 2013 - Performing Arts - 400 pages
A phenomenal account, newly updated, of how twelve innovative television dramas transformed the medium and the culture at large, featuring Sepinwall’s take on the finales of Mad Men and Breaking Bad.

In The Revolution Was Televised, celebrated TV critic Alan Sepinwall chronicles the remarkable transformation of the small screen over the past fifteen years. Focusing on twelve innovative television dramas that changed the medium and the culture at large forever, including The Sopranos, Oz, The Wire, Deadwood, The Shield, Lost, Buffy the Vampire Slayer, 24, Battlestar Galactica, Friday Night Lights, Mad Men, and Breaking Bad, Sepinwall weaves his trademark incisive criticism with highly entertaining reporting about the real-life characters and conflicts behind the scenes.

Drawing on interviews with writers David Chase, David Simon, David Milch, Joel Surnow and Howard Gordon, Damon Lindelof and Carlton Cuse, and Vince Gilligan, among others, along with the network executives responsible for green-lighting these groundbreaking shows, The Revolution Was Televised is the story of a new golden age in TV, one that’s as rich with drama and thrills as the very shows themselves.
 

Contents

Previously in The Revolution Was Televised
1
Chapter 1
23
Chapter 2
36
Chapter 3
73
Chapter 4
100
Chapter 5
134
Chapter 6
158
Chapter 7
195
Chapter 8
222
So say we
248
Clear eyes full hearts
277
Its a time machine
306
Chapter 12
365
Epilogue
421
Where are they now?
441
Copyright

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About the author (2013)

Alan Sepinwall has been writing about television for close to twenty years. Formerly a TV critic for the Newark Star-Ledger (Tony Soprano's hometown paper), he currently writes the popular blog What’s Alan Watching? on HitFix.com. Sepinwall's episode-by-episode approach to reviewing his favorite TV shows, "changed the nature of television criticism," according to Slate, which called him, "the acknowledged king of the form." Visit AlanSepinwall.com.

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