Barbarous Dissonance and Images of Voice in Milton's EpicsSauer investigates the texts' discursive practices and the politics of their orchestration of voice exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours. |
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Page 8
... past discourses that in turn resist the projection of self - interested demands upon them . The dissociation of the text from the multiple discourses it inscribes inevitably proves futile . The multivocal , multigenre poem Paradise Lost ...
... past discourses that in turn resist the projection of self - interested demands upon them . The dissociation of the text from the multiple discourses it inscribes inevitably proves futile . The multivocal , multigenre poem Paradise Lost ...
Page 10
... narratives of state and church history . Adding his voice to the anti - monarchi- cal and anti - prelatic movements , Milton denounces all those who uphold " the right of the past to control the 10 Barbarous Dissonance and Images of Voice.
... narratives of state and church history . Adding his voice to the anti - monarchi- cal and anti - prelatic movements , Milton denounces all those who uphold " the right of the past to control the 10 Barbarous Dissonance and Images of Voice.
Page 11
Elizabeth Sauer. uphold " the right of the past to control the present " ( Masson 2 : 242 ) , and he insists on the need to divorce the multivocal drama of the past from " the carnal supportment of tradition " ( Prose 1 : 827 ) . Mil ...
Elizabeth Sauer. uphold " the right of the past to control the present " ( Masson 2 : 242 ) , and he insists on the need to divorce the multivocal drama of the past from " the carnal supportment of tradition " ( Prose 1 : 827 ) . Mil ...
Page 18
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Page 26
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Contents
3 | |
14 | |
2 Critical Interventions | 35 |
The Sad Task of Raphael Satan and the PoetNarrator | 62 |
4 The Gendered Hierarchy of Discourse | 87 |
Colonialism and Censorship in Paradise | 111 |
6 The Voices of Nebuchadnezzar in Paradise Regained | 136 |
Conclusion | 160 |
Notes | 163 |
Works Cited | 191 |
Index | 209 |
Other editions - View all
Barbarous Dissonance and Images of Voice in Milton's Epics Elizabeth Sauer No preview available - 1996 |
Common terms and phrases
Adam and Eve Adam's argues authority biblical book 12 book 9 censorship challenged chap chapter characterized characters Christopher Hill classical commonwealth confusion confusion of tongues construction contemporary context conversation created creation account creation story critical cultural debate describes devils dialogue discourse dissonance divine dominant earth Eikonoklastes epic Eve's fall feminized gender Genesis story heaven hierarchical human identified identity interpretation John Milton king kingship language linguistic literary Michael Milton monarchy multiple multivocal narcissism narrative narrator nature Nebuchadnezzar Nimrod offers pamphlet Paradise Lost Paradise Regained paradoxical poem poem's poet poet-narrator poet-narrator's poetic political postlapsarian prophecy prophetic Prose Raphael reader reading reemplotment relationship Renaissance resists response Restoration reveals rhetoric role royalist Rump Satan scene seventeenth seventeenth-century Sin's social soliloquy Son's speakers speech T.S. Eliot temptation thee thereby thir thou tion tive tongues tower of Babel tragic truth tyranny verbal verse words