Barbarous Dissonance and Images of Voice in Milton's EpicsSauer investigates the texts' discursive practices and the politics of their orchestration of voice exploring the ways in which Milton's multivocal poems interrogated dominant structures of authority in the seventeenth century and constructed in their place a community of voices characterized by dissonances. She incorporates different critical responses to Milton's texts into her argument as a way of contextualizing her own historically engaged approach. By injecting concepts such as multiple narrators and genres, open forms, strategic deferrals, and the exchanges between the poetic voices and discourses of the early modern period, Sauer tells us something about how the poems spoke to their own time as well as how they may be recuperated to speak to ours. |
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Page i
... poems spoke to their own time as well as how they may be recuperated to speak to ours . ELIZABETH SAUER is associate professor of English , Brock University . This page intentionally left blank Barbarous Dissonance and Images of.
... poems spoke to their own time as well as how they may be recuperated to speak to ours . ELIZABETH SAUER is associate professor of English , Brock University . This page intentionally left blank Barbarous Dissonance and Images of.
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... speak to the contemporary reader , who becomes engaged in comparing and evaluating the poetic and extra - literary voices the epics inscribe . In " Defamiliarizing Paradise Lost " Balachandra Rajan contends that the literary strategy of ...
... speak to the contemporary reader , who becomes engaged in comparing and evaluating the poetic and extra - literary voices the epics inscribe . In " Defamiliarizing Paradise Lost " Balachandra Rajan contends that the literary strategy of ...
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... speak a different language from that of the inspired epic poet ( 102 ) ; in fact they serve merely as a chorus in the poem . The dialogic nature of the authorial voice is examined by con- temporary critics , including William Kerrigan ...
... speak a different language from that of the inspired epic poet ( 102 ) ; in fact they serve merely as a chorus in the poem . The dialogic nature of the authorial voice is examined by con- temporary critics , including William Kerrigan ...
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... speak . The reader of the text , who is without history , merely holds together all the text's traces ( Image - Music - Text 142-8 ) . The deprivileging of utterance by writing is reinforced by the Derridian proposition that writing is ...
... speak . The reader of the text , who is without history , merely holds together all the text's traces ( Image - Music - Text 142-8 ) . The deprivileging of utterance by writing is reinforced by the Derridian proposition that writing is ...
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... speak- ers in the poem but also of the language of dissonance and multi- vocality that informs the text . Critics expressing discontent with early New Historicist as- sumptions about 8 Barbarous Dissonance and Images of Voice.
... speak- ers in the poem but also of the language of dissonance and multi- vocality that informs the text . Critics expressing discontent with early New Historicist as- sumptions about 8 Barbarous Dissonance and Images of Voice.
Contents
3 | |
14 | |
2 Critical Interventions | 35 |
The Sad Task of Raphael Satan and the PoetNarrator | 62 |
4 The Gendered Hierarchy of Discourse | 87 |
Colonialism and Censorship in Paradise | 111 |
6 The Voices of Nebuchadnezzar in Paradise Regained | 136 |
Conclusion | 160 |
Notes | 163 |
Works Cited | 191 |
Index | 209 |
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Barbarous Dissonance and Images of Voice in Milton's Epics Elizabeth Sauer No preview available - 1996 |
Common terms and phrases
Adam and Eve Adam's argues authority biblical book 12 book 9 censorship challenged chap chapter characterized characters Christopher Hill classical commonwealth confusion confusion of tongues construction contemporary context conversation created creation account creation story critical cultural debate describes devils dialogue discourse dissonance divine dominant earth Eikonoklastes epic Eve's fall feminized gender Genesis story heaven hierarchical human identified identity interpretation John Milton king kingship language linguistic literary Michael Milton monarchy multiple multivocal narcissism narrative narrator nature Nebuchadnezzar Nimrod offers pamphlet Paradise Lost Paradise Regained paradoxical poem poem's poet poet-narrator poet-narrator's poetic political postlapsarian prophecy prophetic Prose Raphael reader reading reemplotment relationship Renaissance resists response Restoration reveals rhetoric role royalist Rump Satan scene seventeenth seventeenth-century Sin's social soliloquy Son's speakers speech T.S. Eliot temptation thee thereby thir thou tion tive tongues tower of Babel tragic truth tyranny verbal verse words