An Abridgment of Lectures on Rhetoric |
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Page 21
... strength , combines various sources of the sublime ; and has consequently been ever con- sidered , as one of the most striking and magni- ficent spectacles , which can be either presented to the eye , or exhibited to the imagination in ...
... strength , combines various sources of the sublime ; and has consequently been ever con- sidered , as one of the most striking and magni- ficent spectacles , which can be either presented to the eye , or exhibited to the imagination in ...
Page 25
... strength and force either enter not directly , or are not at least intimately associated , by conducting our thoughts to some astonishing power , as concerned in the production of the object . SUBLIMITY IN WRITING . THE foundation of ...
... strength and force either enter not directly , or are not at least intimately associated , by conducting our thoughts to some astonishing power , as concerned in the production of the object . SUBLIMITY IN WRITING . THE foundation of ...
Page 26
... strength , conciseness , and simplicity . This de- pends chiefly upon the lively impression , which the poct or orator bas of the object , which he exhibits ; and upon his being deeply affected and animated by the sublime idea , which ...
... strength , conciseness , and simplicity . This de- pends chiefly upon the lively impression , which the poct or orator bas of the object , which he exhibits ; and upon his being deeply affected and animated by the sublime idea , which ...
Page 30
... strength of the feeling is emasculated ; the beautiful may remain ; but the sublime is extinguished . Homer's description of the nod of Jupiter , as shaking the heavens , has been admired in all ages , as wonderfully sublime . Literally ...
... strength of the feeling is emasculated ; the beautiful may remain ; but the sublime is extinguished . Homer's description of the nod of Jupiter , as shaking the heavens , has been admired in all ages , as wonderfully sublime . Literally ...
Page 32
... strength is essentially necessary to sublime writing . Strength of description proceeds , in a great measure ; from conciseness ; but it implies something more , namely , a judicious choice of circumstan- ces in the description ; such ...
... strength is essentially necessary to sublime writing . Strength of description proceeds , in a great measure ; from conciseness ; but it implies something more , namely , a judicious choice of circumstan- ces in the description ; such ...
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Common terms and phrases
action admit affectation agreeable ancient appear arguments atheism attention beauty blank verse characters Cicero circumstances comedy composition concise connected degree Demosthenes dignity discourse distinction distinguished elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit expression fancy figure frequently genius give grace Greek guage hearers heart Hence Henriade Homer human ideas Iliad imagination imitation instance Jane Shore jects kind language Livy Lucan Lusiad lyric poetry manner ment metaphor Milton mind modern moral motion narration nature never object observed orator ornament painting Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures poet poetical poetry proper propriety public speaking render requisite resemblance ridicule rule scene sense sensibility sentence sentiments simplicity sion Sophocles sound speaker species speech spirit strength strong style sublime syllable Tacitus taste thing thought Thucydides tion tragedy unity variety verse Virgil voice words writing
Popular passages
Page 232 - Then shall the lame man leap as an hart, and the tongue of the dumb sing: for in the wilderness shall waters break out, and streams in the desert. And the parched ground shall become a pool, and the thirsty land springs of water: in the habitation of dragons, where each lay, shall be grass with reeds and rushes.
Page 106 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 228 - Swinging slow with sullen roar ; Or, if the air will not permit, Some still, removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom...
Page 27 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Page 31 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 134 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision...
Page 230 - O SING unto the Lord a new song: sing unto the Lord, all the earth.
Page 233 - The mountains saw thee, and they trembled : the overflowing of the water passed by : the deep uttered his voice, and lifted up his hands on high.
Page 116 - God is not a man that he should lie; nor the son of man, that he should repent...
Page 229 - But, first, whom shall we send In search of this new world? whom shall we find Sufficient? who shall tempt with wandering feet The dark, unbottom'd, infinite abyss, And through the palpable obscure find out His uncouth way?