Creating States: Studies in the Performative Language of John Milton and William BlakeAlthough the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste. Angela Esterhammer proposes a new way of understanding the relationship between these two poets, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature. Esterhammer distinguishes between the 'sociopolitical performative,' the speech act which is defined by a societal context and derives power from institutional authority, and the `phenomenological performative,' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker. Analysing texts such as The Reason of Church-Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word – while continuing to use the forms of a socially or politically performative language. |
From inside the book
Results 1-5 of 44
... claims of certain post - structuralist and historicist approaches also had their place in it . Not only is it impossible for the texts of Milton and Blake to escape their different historical contexts , but many of the texts of both ...
... claim hardly dispels the objections of deconstructionist critics since Searle only sustains the hierarchical logic of normal and supplementary cases . Jonathan Culler supports Derrida's contention that ' the iterability manifested in ...
... claim that performative utterances do not require a serious intention on the part of the speaker . Culler is led to the conclusion that he claims Austin tried to avoid : that illo- cutionary force is determined by the ungraspable ...
... claim to divine inspiration , or an event which confers special powers of perception and understanding , but this claim only has meaning insofar as the audience believes , and thus ratifies the effectiveness of , the poetic text ...
... claim to a similar type of performativity : non - conventional , extra - societal , deriving from the will or intentionality of the speaker alone . Speech Acts in the Text Austin's exclusion of utterances spoken by an actor on stage has ...
Contents
10 | |
16 | |
23 | |
31 | |
42 | |
48 | |
The J Myth | 54 |
3 | 65 |
5 | 119 |
Relations in the State of Innocence | 132 |
Relations in the State of Experience | 143 |
Naming in The Book of Urizen | 152 |
The Argument of The Marriage of Heaven and Hell | 158 |
A Song of Liberty | 167 |
Statements and States | 174 |
A Revision | 184 |
General and Special Inspiration | 70 |
Miltons Promise | 77 |
The Elision of the Performative | 85 |
The Performativity of Divine Speech | 99 |
Naming and Subjectivity | 110 |
A Division | 191 |
Creating States | 201 |
The Community of Phrases | 216 |
Index | 239 |
Other editions - View all
Creating States: Studies in the Performative Language of John Milton and ... Angela Esterhammer No preview available - 1994 |