Shakespeare and the Modern Stage: With Other Essays |
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Page xii
... England VI . Elizabethan Methods of Production . VII . The Contrast between the Elizabethan and the Modern Methods . VIII . The Fitness of the Audience an Essential Element in the Success of Shakespeare on the Stage III SHAKESPEARE IN ...
... England VI . Elizabethan Methods of Production . VII . The Contrast between the Elizabethan and the Modern Methods . VIII . The Fitness of the Audience an Essential Element in the Success of Shakespeare on the Stage III SHAKESPEARE IN ...
Page xiii
... England IV . Indications of a Demand for a Municipal Theatre V. The Teaching of Foreign Experience . Example of Vienna VI . The Conditions of Success in England 122 123 127 129 • The 134 138 VII ASPECTS OF SHAKESPEARE'S PHILOSOPHY I ...
... England IV . Indications of a Demand for a Municipal Theatre V. The Teaching of Foreign Experience . Example of Vienna VI . The Conditions of Success in England 122 123 127 129 • The 134 138 VII ASPECTS OF SHAKESPEARE'S PHILOSOPHY I ...
Page xiv
... England . The Country's Dependence on the Command of the Sea . The Respect Due to a Nation's Traditions and Experience . IV . Shakespeare's Exposure of Social Foibles and Errors V. Relevance of Shakespeare's Doctrine of Patriotism to ...
... England . The Country's Dependence on the Command of the Sea . The Respect Due to a Nation's Traditions and Experience . IV . Shakespeare's Exposure of Social Foibles and Errors V. Relevance of Shakespeare's Doctrine of Patriotism to ...
Page xv
... England from the Fourteenth to the Present Century II . M. Jusserand on Shakespeare in France . French Knowledge of English Literature in Shakespeare's day . Shakespeare in Eighteenth - century France . Eulogies of Victor Hugo and Dumas ...
... England from the Fourteenth to the Present Century II . M. Jusserand on Shakespeare in France . French Knowledge of English Literature in Shakespeare's day . Shakespeare in Eighteenth - century France . Eulogies of Victor Hugo and Dumas ...
Page 4
... England and America . It is to be feared that such excess either weakens or distorts the just and proper influence of Shake- speare's work . If these imputations can be sus- tained , then it follows that the increased and increasing ...
... England and America . It is to be feared that such excess either weakens or distorts the just and proper influence of Shake- speare's work . If these imputations can be sus- tained , then it follows that the increased and increasing ...
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Common terms and phrases
acting actor admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character classical comedy commemorative contemporary Coriolanus critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Dryden Elizabethan endeavour England English experience France French genius George Peele gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less literary drama literature London London County Council Love's Labour's Lost Lowin Macbeth manager memorial ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance permanent Phelps Phelps's philosophy piece playgoer playgoing playhouse poet poet's poetic poetry political present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William William Beeston William D'Avenant writing wrote
Popular passages
Page 186 - A strange fish! Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Page 169 - There is some soul of goodness in things evil, Would men observingly distil it out...
Page 160 - I'll begin it, — Ding, dong, bell. All. Ding, dong, bell. Bass. So may the outward shows be least themselves : The world is still deceiv'd with ornament. In law, what plea so tainted and corrupt, But, being season'd with a gracious voice, Obscures the show of evil ? In religion, What damned error, but some sober brow Will bless it, and approve it with a text...
Page 162 - The primogenitive and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree, stand in authentic place ? Take but degree away, untune that string, And hark, what discord follows...
Page 46 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Page 153 - Tis mightiest in the mightiest, it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings; It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice.
Page 155 - Lear. What, art mad ? A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?
Page 45 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
Page 50 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Page 20 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...