Shakespeare and the Modern Stage: With Other Essays |
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Page 2
... speech or scene which escapes the efficient student , as that the student may supply the actor's lack of insight . It is , indeed , comparatively easy for a student of literature to support the proposition that Shakespeare can be , and ...
... speech or scene which escapes the efficient student , as that the student may supply the actor's lack of insight . It is , indeed , comparatively easy for a student of literature to support the proposition that Shakespeare can be , and ...
Page 17
... speeches in the progress of the play . There was no making love , nor any dying to slow music , although the stage directions were followed scrupulously ; the song " Come , thou Monarch of the Vine , " was sung to music in the drinking ...
... speeches in the progress of the play . There was no making love , nor any dying to slow music , although the stage directions were followed scrupulously ; the song " Come , thou Monarch of the Vine , " was sung to music in the drinking ...
Page 20
... further , and assert that , as far as the speech touches the question at issue at all , it tells against the pretensions of spectacle . ་ ESSENTIAL LIMITATIONS OF SCENERY 21 " " Shortly stated 20 SHAKESPEARE AND THE MODERN STAGE.
... further , and assert that , as far as the speech touches the question at issue at all , it tells against the pretensions of spectacle . ་ ESSENTIAL LIMITATIONS OF SCENERY 21 " " Shortly stated 20 SHAKESPEARE AND THE MODERN STAGE.
Page 21
... speech is the essential limita- tions of all scenic appliances . The dramatist reminds us that the literal presentation of life itself , in all its movement and action , lies outside the range of the stage , especially the movement and ...
... speech is the essential limita- tions of all scenic appliances . The dramatist reminds us that the literal presentation of life itself , in all its movement and action , lies outside the range of the stage , especially the movement and ...
Page 44
... speeches of the actors . Pictorial tableaux enthral the most callous onlooker . Very striking is the contrast offered by the methods of representation accepted with enthusiasm by the Elizabethan playgoer and those deemed essential by ...
... speeches of the actors . Pictorial tableaux enthral the most callous onlooker . Very striking is the contrast offered by the methods of representation accepted with enthusiasm by the Elizabethan playgoer and those deemed essential by ...
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Common terms and phrases
acting actor admiration artistic audience Bacon Beeston Ben Jonson Benson's Betterton biography Cæsar character classical comedy commemorative contemporary Coriolanus critical Cymbeline D'Avenant D'Avenant's dramatic art dramatist Drury Lane Dryden Elizabethan endeavour England English experience France French genius George Peele gossip Hamlet Henry histrionic honour human imagination Jonson Julius Cæsar King less literary drama literature London London County Council Love's Labour's Lost Lowin Macbeth manager memorial ment methods modern monument moral municipal theatre natural never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance permanent Phelps Phelps's philosophy piece playgoer playgoing playhouse poet poet's poetic poetry political present produced realise rendered reputation Richard II rôles scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise thou tion tragedy Twelfth Night virtue William William Beeston William D'Avenant writing wrote
Popular passages
Page 186 - A strange fish! Were I in England now, as once I was, and had but this fish painted, not a holiday fool there but would give a piece of silver. There would this monster make a man. Any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian.
Page 169 - There is some soul of goodness in things evil, Would men observingly distil it out...
Page 160 - I'll begin it, — Ding, dong, bell. All. Ding, dong, bell. Bass. So may the outward shows be least themselves : The world is still deceiv'd with ornament. In law, what plea so tainted and corrupt, But, being season'd with a gracious voice, Obscures the show of evil ? In religion, What damned error, but some sober brow Will bless it, and approve it with a text...
Page 162 - The primogenitive and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree, stand in authentic place ? Take but degree away, untune that string, And hark, what discord follows...
Page 46 - And let those, that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question}: of the play be then to be considered : that's villainous ; and shows a most pitiful ambition in the fool that uses it.
Page 153 - Tis mightiest in the mightiest, it becomes The throned monarch better than his crown. His sceptre shows the force of temporal power, The attribute to awe and majesty, Wherein doth sit the dread and fear of kings; But mercy is above this sceptred sway, It is enthroned in the hearts of kings; It is an attribute to God himself, And earthly power doth then show likest God's When mercy seasons justice.
Page 155 - Lear. What, art mad ? A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?
Page 45 - Speak the speech, I pray you, as I pronounced it to you, trippingly on the tongue : but if you mouth it, as many of our players do, I had as lief the town-crier spoke my lines.
Page 50 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou are a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Page 20 - O, for a muse of fire, that would ascend The brightest heaven of invention ! A kingdom for a stage, princes to act, And monarchs to behold the swelling scene...