The Anthology and the Rise of the Novel: From Richardson to George EliotThe Anthology and the Rise of the Novel, first published in 2000, brings together two traditionally antagonistic fields, book history and narrative theory, to challenge established theories of 'the rise of the novel'. Leah Price shows that far from leveling class or gender distinctions, as has long been claimed, the novel has consistently located them within its own audience. Shedding new light on Richardson and Radcliffe, Scott and George Eliot, this book asks why the epistolary novel disappeared, how the book review emerged, why eighteenth-century abridgers designed their books for women while Victorian publishers marketed them to men, and how editors' reproduction of old texts has shaped authors' production of new ones. This innovative study will change the way we think not just about the history of reading, but about the genealogy of the canon wars, the future of intellectual property, and the role that anthologies play in our own classrooms. |
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Contents
Introduction | 1 |
Richardsons economies of scale | 13 |
Writing against the moment | 15 |
Meaning and gaping | 27 |
Copy in other Hands | 35 |
The invisible hand | 42 |
Scott and the literaryhistorical novel | 48 |
Cultures of the commonplace | 67 |
Ferriers secondhand sentiments | 99 |
George Eliot and the production of consumers | 105 |
Reading against the plot | 107 |
Women of maxims | 119 |
Outside sayings and doings | 128 |
The ethics of the review | 137 |
The business of the novel | 149 |
Notes | 157 |
Knoxs scissordoings | 70 |
Bowdlers private public | 77 |
Radcliffes uncommon readers | 90 |
198 | |
219 | |
Other editions - View all
The Anthology and the Rise of the Novel: From Richardson to George Eliot Leah Price No preview available - 2000 |
Common terms and phrases
abridgments already anthologists anthology appeared argued argument audience beauties become beginning Birthday Book Blackwood British calls Cambridge canon century chapter characters Charles claim Clarissa collection common compilation contents copies critics culture define earlier edition editor eighteenth-century English epigraphs epistolary Essays excerpts extracts female Fiction fragments gender genre George Eliot give Grandison hand History John Johnson Knox Lady language later less letters literary Literature London lyric Main Main's maxims Middlemarch moral narrative narrator novel novelist once original Oxford passages person plot poems poet Poetry preface present prose published quotations quoted Radcliffe's readers reading reference reflects relation represent Richardson Sayings Scott Selected Sentiments separate Shakespeare story structure Studies substitute suggests summary taste third Thomas tion turn University Press verse Victorian vols volume Walter Waverley whole women writing written York young
References to this book
Jonathan Swift and Popular Culture: Myth, Media, and the Man Ann Cline Kelly No preview available - 2002 |