The Romantic Imagination: Literature and Art in England and GermanyFrederick Burwick, Jürgen Klein |
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Page 10
... faculty . In his transformation and intermediation between this fictive self and others , Wackenroder creates an atmosphere " warranted " by the lack of clear boundaries between textual elements , so that the flexibility of the frame ...
... faculty . In his transformation and intermediation between this fictive self and others , Wackenroder creates an atmosphere " warranted " by the lack of clear boundaries between textual elements , so that the flexibility of the frame ...
Page 21
... faculty of creation , because it is very unlikely for human beings to create something which has never existed before . Genius in a wider sense refers to human creativity in general , combining the two qualities of originality and ...
... faculty of creation , because it is very unlikely for human beings to create something which has never existed before . Genius in a wider sense refers to human creativity in general , combining the two qualities of originality and ...
Page 23
... faculty . Giovanni Pico della Mirandola's nephew Gianfrancesco Pico della Mirandola ( 1469-1533 ) developed a theory of imag- ination in his treatise De Imaginatione ( 1501 ) . This text would have stimu- 13 Ranulph Ganville : Objekte ...
... faculty . Giovanni Pico della Mirandola's nephew Gianfrancesco Pico della Mirandola ( 1469-1533 ) developed a theory of imag- ination in his treatise De Imaginatione ( 1501 ) . This text would have stimu- 13 Ranulph Ganville : Objekte ...
Page 24
... faculty receives and produces pic- tures ( imagines ) . The imagination grasps the similarities or reproductions of outward things by the help of the five senses so that it acquires a rich collection of conceptions . Everything becomes ...
... faculty receives and produces pic- tures ( imagines ) . The imagination grasps the similarities or reproductions of outward things by the help of the five senses so that it acquires a rich collection of conceptions . Everything becomes ...
Page 32
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Contents
14 | |
19 | |
WERNER HOFMANN | 63 |
HORST MELLER | 76 |
GABRIELE ROMMEL | 95 |
FREDERICK BURWICK | 125 |
ROSWITHA BURWICK | 156 |
HOTCHKISS | 177 |
LILIAN R FURST | 269 |
JAMES A W HEFFERNAN | 289 |
GRANT F SCOTT | 315 |
BARBARA MARIA STAFFORD | 335 |
GERALD FINLEY | 357 |
The Contemplative Mode | 377 |
KARL KROEBER | 398 |
JÖRG TRAEGER | 413 |
Other editions - View all
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein No preview available - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein No preview available - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein No preview available - 1996 |
Common terms and phrases
Achim von Arnim aesthetic Arnim artistic Beaumont beautiful becomes Blake Blake's Book of Job Byron Coleridge colour concept Constable Constable's creation creative criticism dark Dedham Vale depicted divine eighteenth century ekphrasis essay eternal experience faculty Fall of Hyperion figure frame Friedrich Friedrich Schlegel function garden Goethe Goethe's Herzensergießungen human ideal ideas illustration imagination inspiration J.M.W. Turner Job's John John Keats Josef Haslinger Kant Keats Keats's Kunst landscape language Laocoon letter light literary literature London Mary Shelley mediating Medusa metaphor metaphysical mind myth nature Neoplatonic Newton Novalis object original painter painting perception philosophy picture Picturesque plate poem Poesie poet poetic poetry principle Proclus produced reality reflection representation Romantic Romanticism Satan scene Schelling Schlegel sculpture sense Shelley Shelley's spirit studies style sublime symbolic theory things thought tion tradition Turner viewer vision visual Wackenroder William wisdom words Wordsworth
Popular passages
Page 24 - Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Will us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.
Page 26 - The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which could devour any kind of experience.