The Romantic Imagination: Literature and Art in England and GermanyFrederick Burwick, Jürgen Klein |
From inside the book
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Page 4
... tion of the imagination acknowledged in Jürgen Klein's opening chapter . Klein had observed how the evolving concept of the imagination was shaped by the historical interaction between philosophical systems and cultural val- Introduction.
... tion of the imagination acknowledged in Jürgen Klein's opening chapter . Klein had observed how the evolving concept of the imagination was shaped by the historical interaction between philosophical systems and cultural val- Introduction.
Page 9
... tion of the picturesque with the rise of the middle class and foment of revolutionary politics . Especially in the gothic novel , with its elements of subversive irrationality and emotionality , the picturesque becomes literally ...
... tion of the picturesque with the rise of the middle class and foment of revolutionary politics . Especially in the gothic novel , with its elements of subversive irrationality and emotionality , the picturesque becomes literally ...
Page 8
... tion of the picturesque with the rise of the middle class and foment of revolutionary politics . Especially in the gothic novel , with its elements of subversive irrationality and emotionality , the picturesque becomes literally ...
... tion of the picturesque with the rise of the middle class and foment of revolutionary politics . Especially in the gothic novel , with its elements of subversive irrationality and emotionality , the picturesque becomes literally ...
Page 11
... tion of Achilles's shield in the Iliad . In Hyperion and The Fall of Hyperion , Hirst focusses on Keats's techniques of giving a seemingly palpable substance to the airy stuff of dreams . In this artistic transformation of dream into ...
... tion of Achilles's shield in the Iliad . In Hyperion and The Fall of Hyperion , Hirst focusses on Keats's techniques of giving a seemingly palpable substance to the airy stuff of dreams . In this artistic transformation of dream into ...
Page 15
... tion . There is no single " right " position for " entering into " Turner's painting : one approaches close to the canvas , steps away , and wanders from side to investigate how the eye has been baffled . Friedrich , however ...
... tion . There is no single " right " position for " entering into " Turner's painting : one approaches close to the canvas , steps away , and wanders from side to investigate how the eye has been baffled . Friedrich , however ...
Contents
14 | |
19 | |
WERNER HOFMANN | 63 |
HORST MELLER | 76 |
GABRIELE ROMMEL | 95 |
FREDERICK BURWICK | 125 |
ROSWITHA BURWICK | 156 |
HOTCHKISS | 177 |
LILIAN R FURST | 269 |
JAMES A W HEFFERNAN | 289 |
GRANT F SCOTT | 315 |
BARBARA MARIA STAFFORD | 335 |
GERALD FINLEY | 357 |
The Contemplative Mode | 377 |
KARL KROEBER | 398 |
JÖRG TRAEGER | 413 |
Other editions - View all
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein No preview available - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein No preview available - 1996 |
The Romantic Imagination: Literature and Art in England and Germany Frederick Burwick,Jürgen Klein No preview available - 1996 |
Common terms and phrases
Achim von Arnim aesthetic Arnim artistic Beaumont beautiful becomes Blake Blake's Book of Job Byron Coleridge colour concept Constable Constable's creation creative criticism dark Dedham Vale depicted divine eighteenth century ekphrasis essay eternal experience faculty Fall of Hyperion figure frame Friedrich Friedrich Schlegel function garden Goethe Goethe's Herzensergießungen human ideal ideas illustration imagination inspiration J.M.W. Turner Job's John John Keats Josef Haslinger Kant Keats Keats's Kunst landscape language Laocoon letter light literary literature London Mary Shelley mediating Medusa metaphor metaphysical mind myth nature Neoplatonic Newton Novalis object original painter painting perception philosophy picture Picturesque plate poem Poesie poet poetic poetry principle Proclus produced reality reflection representation Romantic Romanticism Satan scene Schelling Schlegel sculpture sense Shelley Shelley's spirit studies style sublime symbolic theory things thought tion tradition Turner viewer vision visual Wackenroder William wisdom words Wordsworth
Popular passages
Page 24 - Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Will us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.
Page 26 - The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which could devour any kind of experience.