Augustan Measures: Restoration and Eighteenth-century Writings on Prosody and MetreAugustan Measures is the first comprehensive survey of Restoration and 18th century writings on metre and poetic form; it focuses mainly on the debates caused by the perceived differences between the couplet and blank verse.Since the 1950s the study of versification has been dominated by the methodologies and the terminology of modern linguistics. The purpose of this monograph is to provide a survey of the techniques and findings of our 17th and 18th century precursors. Bradford here translates the technical vocabulary of the latter, which in any event conformed to no agreed methodological consensus, into terms which are readily accessible to scholars of poetry and poetics.While the work of critics such as Dryden, John Dennis and Samuel Johnson exists in 20th century editions, many of the other critics covered here-for example Woodford, Kames, Sheridan, Say, and Bysshe-are not available to modern readers even in microfiche reproductions; their works can only be consulted in copyright libraries such as the Bodleian, Oxford. Bradford's surveys of what they wrote will be useful principally because their writings are intriguing in their own right, and also because they are, to most modern readers and scholars without immediate access to copyright libraries, unknown.The volume begins with an examination of 16th and early 17th century writings on metre as the background to the 18th century debates, and with a look at criticism from Dryden to Dennis. Thereafter the author reviews the conflicting and often confusing theories forwarded by later-17th and 18th century critics on the nature of the syllable as a unit of prosodic measurement, and discusses the contributions of the Prescriptive and Elocutionist critics. The final chapters focus on rhyme and on blank verse, the topics of many of the most contentious 18th century debates on poetic form; Bradford concentrates upon how and why the blank verse of Milton and his 18th-century successors raised particular questions for contemporary critics. |
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Page 178
... sort of style or genre was appropriate for the form if there was confusion over the degree of inherent metrical structure which the form could possess ? Barnes read Milton in the same way as Sheridan did , and he was thus able to see ...
... sort of style or genre was appropriate for the form if there was confusion over the degree of inherent metrical structure which the form could possess ? Barnes read Milton in the same way as Sheridan did , and he was thus able to see ...
Page 189
... sort of breath pause or lingering at the end ' . ' I would not argue with Diekhoff's conclusion but his evidence is , as Sprott demonstrates , very weak.10 Sprott cannot really accept that the sort of double movement postulated by ...
... sort of breath pause or lingering at the end ' . ' I would not argue with Diekhoff's conclusion but his evidence is , as Sprott demonstrates , very weak.10 Sprott cannot really accept that the sort of double movement postulated by ...
Page 202
... sort of ridicule and no part of it more so than the following lines : Not blacker tube , nor of a shorter size , Smokes Cambro - Briton ( versed in pedigree , Sprung from Cadwallader and Arthur , Kings Full famous in romantic tale ) ...
... sort of ridicule and no part of it more so than the following lines : Not blacker tube , nor of a shorter size , Smokes Cambro - Briton ( versed in pedigree , Sprung from Cadwallader and Arthur , Kings Full famous in romantic tale ) ...
Contents
Stress Accent Quantity and the Composition of the Pentameter | 45 |
The Prescriptive Criticism | 70 |
The Elocution Movement and the Critical Work of Thomas | 97 |
Copyright | |
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Common terms and phrases
abstract aesthetic Art of Reading Augustan balanced line blank verse Bysshe Bysshe's cadence caesura century Chapter closed couplet coincidence concept Dryden edition effect eighteenth eighteenth-century critics elocution elocutionists emphasis English poetry English prosody English verse enjambed Essay expression feet formal free verse Fussell grammatical Harmony heroic iamb iambic Ibid John Johnson Kames Kames's Language Lectures lexical stress line ending linguistic literary London meaning measure melody metre metrical contract metrical line Milton Milton's blank verse Milton's Prosody modern movement musical natural Oxford Paradise Lost pause of suspension pentameter poem Poesy poet poetic form poetic line Pope Preface prescriptive critics prose prosodic prosodists reader reference regarded relationship Reprinted rhetorical Rhime rhyme rhythm rhythmic Rice says scansion seems sense sentence Sheridan significant Spingarn spondees stress structure style suggests syllables syntactic syntax tension Thomas Sheridan thought trochee typographical unrhymed verb versification vols W.K. Wimsatt Watts Watts's Woodford words