Essays on the Picturesque, as Compared with the Sublime and the Beautiful: And, on the Use of Studying Pictures, for the Purpose of Improving Real Landscape, Volume 3 |
From inside the book
Results 1-5 of 50
Page v
... character of the picturesque - 7o 2dly . The vague meaning of the term gardening And , 3dly . The general mixture of the picturefque with the beautiful . Mr. R. has always chofen to confider the pic- turefque in its roughest state , but ...
... character of the picturesque - 7o 2dly . The vague meaning of the term gardening And , 3dly . The general mixture of the picturefque with the beautiful . Mr. R. has always chofen to confider the pic- turefque in its roughest state , but ...
Page 33
... character of their productions ; you must be sensible that the mixture of gay and highly cultivated nature , with the moft fplendid and finished works of art in Claude Lorrain - the ftudied and uniform grandeur of the landscapes of N ...
... character of their productions ; you must be sensible that the mixture of gay and highly cultivated nature , with the moft fplendid and finished works of art in Claude Lorrain - the ftudied and uniform grandeur of the landscapes of N ...
Page 40
... character of the scenery may require . Accident and neglect are therefore two principal causes of those beauties ( and they often deserve that name in its strictest sense ) which painters , lovers of painting , and many whose natural ...
... character of the scenery may require . Accident and neglect are therefore two principal causes of those beauties ( and they often deserve that name in its strictest sense ) which painters , lovers of painting , and many whose natural ...
Page 41
... skirtings of various form and character , which you might after- wards transfer with a higher degree of polish , but without injuring their loose and • varied shapes , to more ornamented scenes . You were varied [ 41 ]
... skirtings of various form and character , which you might after- wards transfer with a higher degree of polish , but without injuring their loose and • varied shapes , to more ornamented scenes . You were varied [ 41 ]
Page 65
... character by their smell , as an anti- quarian is fuppofed to know by the taste , whether a medal has the true ancient ærugo . It must be allowed , that filthy objects are often picturesque , but not be- cause they are filthy ; on the ...
... character by their smell , as an anti- quarian is fuppofed to know by the taste , whether a medal has the true ancient ærugo . It must be allowed , that filthy objects are often picturesque , but not be- cause they are filthy ; on the ...
Other editions - View all
Essays on the Picturesque, as Compared With the Sublime and the Beautiful ... Uvedale Price No preview available - 2017 |
Common terms and phrases
according admire affinity againſt alfo almoſt alſo anſwer appear beauty becauſe beſt Brown Burke Burke's cafe central form character circumſtances clumps colour confequence courſe defirous degree distinction Effay effect endeavoured faid fame fcenes fhew firſt fome ftudied fubject fuch fuppofe garden ſcenes ginally give gravel walk ground Hamilton houſe Howard idea imitation improver itſelf juft juſt landſcape-gardener leaſt lefs leſs Letter light look means moſt muft muſt nature neatneſs neral obferve objects opinion ornaments painter painter's landſcape perfect perſon pictureſque pleaſing pleasure poliſh Pomeranian dog Praxiteles preſent principles produce profeffion profeffors profpects purpoſe qualities racter reſpect rough ſay ſcenery ſeems ſenſe ſeparate Seymour ſhould Sir Joshua smooth ſome ſpirit ſtate ſtriking ſtudy ſtyle sublime ſuch taſte theſe thing thofe thoſe tints tion Titian trees ture uſe UVEDALE PRICE variety Venus de Medicis whole whoſe wild wiſh your's
Popular passages
Page 210 - To instance in a particular part of a feature: the line that forms the ridge of the nose is beautiful when it is straight; this then is the central form, which is oftener found than either concave, convex, or any other irregular form that shall be proposed.
Page 186 - I call beauty a social quality ; for where women and men, and not only they, but when other animals give us a sense of joy and pleasure in beholding them (and there are many that do so), they inspire us with sentiments of tenderness and affection towards their persons...
Page 210 - Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom : custom makes, in a certain sense, white black, and black white ; it is custom alone determines our preference of the colour of the Europeans to the .(Ethiopians, and they, for the same reason, prefer their own colour to ours.
Page 319 - ... such objects. To express this in Painting, is to express what is congenial and natural to the mind of man, and what gives him by reflection his own mode of conceiving. The other pre-supposes nicety and research, which are only the business of the curious and attentive, and therefore does not speak to the general sense of the whole species ; in which common, and, as I may so call it, mother tongue, every thing grand and comprehensive must be uttered.
Page 186 - ... with respect to beauty in general. Even in treating of the beauty of Nature, his imagination always delights to repose on her softest and most feminine features; or, to use his own language, on " such qualities as induce in us a sense of tenderness and affection, or some other pas"sion the most nearly resembling these.
Page 221 - ... estimation with mankind in general, and that is the Venetian, or rather the manner of Titian ; which, simply considered as producing an effect of colours, will certainly eclipse with its splendour whatever is brought into competition with it. But, as I hinted before, if female delicacy and beauty be the principal object of the Painter's aim, the purity and clearness of the tint of Guido will correspond better, and more contribute to produce it than even the glowing tint of Titian.
Page 218 - Her pure and eloquent blood Spoke in her cheeks, and so distinctly wrought, That one might almost say her body thought.
Page 36 - Trees and plants of every kind (confidered as materials for landfcape) mould have room to fpread in various degrees, and in various * directions, and then accident will produce unthought-of varieties and beauties, without injuring the general defign: but if they are allowed to fpread in one direction only, you in a great meafure prevent the operation of accident; and thence the famenefs and heavinefs of the outfides of clumps, and of all clofe plantations.
Page 20 - Knight and you are in the habit of admiring fine pictures, and both live amidst bold and picturesque scenery : this may have rendered you insensible^ to the beauty of those milder scenes that have charms for common observers. I will not arraign your taste, or call it vitiated, but your palate certainly requires a degree of "irritation...
Page 256 - ... these extremes lies that grateful medium of grateful irritation, which produces the sensation of what, in visible objects, we call picturesque beauty, because painting, by imitating the visible qualities only, discriminates it from the objects of other senses by which it may be combined; and which, if productive of stronger impressions, either of pleasure or disgust, will overpower it : so that a mind not habituated to such discriminations, or a person not possessed of a painter's eye, does not...