Endymion and the "labyrinthian Path to Eminence in Art" |
From inside the book
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Contents
Preface | 9 |
Keatss Anxiety of Legitimacy and the Struggle | 23 |
Keatss Epic Drive | 51 |
Keatss Early Emphasis on Epic Poetry | 73 |
Endymion and Virgil | 83 |
Endymion An Attempt at Epic Poetry | 109 |
Keatss Attempts at a Peaceful Epic | 127 |
The Labyrinth and the Epic | 153 |
Keats as a SelfStyled Vates and Makar | 173 |
Ambition | 199 |
Conclusion | 219 |
Common terms and phrases
Aeneas Aeneid anxiety of legitimacy Apollo argue asserts Augustan-Roman Barnard beautiful Bloom Bode Bostetter Chapman's chapter Charles Cowden Clarke claim classical cloak Cockney School context criticism Cynthia D'Avanzo Dido Dissent divine inspiration Doob dymion Endymi Endymion epic attempt epic drive epic poem epic poetry example Fall of Hyperion Foerster genre Glaucus goddess Greek heroic Homer idea Iliad Indian Maiden John Gibson Lockhart John Keats Keats's anxiety Keats's early Keats's epic Keats's friends Keats's poem Keats's poetic Keats's pragmatism labyrinth labyrinthine Leigh Hunt Letters lines literary labyrinth Lockhart long-poem makar Milton muse myth narrative Negative Capability neoclassical neoclassicism Oxford particular peaceful epic personal epic poet Poetical Works 529 Poetical Works 95 poetological political quest regard romance genre Romantic Sidney Sleep and Poetry Sperry Steinhoff style Subsequent quotes Suerbaum thereby Tillyard tion Titans underworld vates vates concept verse Virgil vision Vitoux warfare Woodhouse Woodhouse's word write