Quotation and Modern American Poetry: "Imaginary Gardens With Real Toads"In this volume Elizabeth Gregory addresses a number of key issues surrounding the formation of the American poetic canon. Taking as her primary examples T. S. Eliot's Waste Land, William Carlos Williams' Paterson, and selected poems by Marianne Moore, she examines the ways in which modern American writers struggled with questions of literary authority and cultural identity in relation to pre-existing European models. Gregory focuses on these issues through analysis of the use of quotation in modern and postmodern literature, a practice that was strikingly divergent from the accepted use of literary allusion. Her introduction traces a history of quotation as it has been practiced in literature from classical to modern times. She then focuses on the texts of Eliot, Williams, and Moore--three central figures of American modernism whose work the author believes represents a spectrum of responses to the established European model of poetical discourse. Gregory's selection of Moore also allows her to deal with feminist concerns as they emerge in the more general modernist dialogue. How was a female writer to make use of a literary canon that traditionally excluded female participation? "The implications of Gregory's argument . . . will surely be of especial interest to feminist scholars of American poetry."--Lois Parkinson Zamora, University of Houston. |
From inside the book
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Page 2
... earlier works the allusive poet sets her or his work within the tradition of earlier poetry , but in altering what is borrowed suggests as well the possibility of reconstitution and redistribu- tion of authority and some measure of ...
... earlier works the allusive poet sets her or his work within the tradition of earlier poetry , but in altering what is borrowed suggests as well the possibility of reconstitution and redistribu- tion of authority and some measure of ...
Page 4
... earlier quotation use in relation to which modernist uses of the de- vice developed.2 Historical Background To Modernist Quotation As Mode Though the borrowing of the words of others has a history that extends back at least as far as ...
... earlier quotation use in relation to which modernist uses of the de- vice developed.2 Historical Background To Modernist Quotation As Mode Though the borrowing of the words of others has a history that extends back at least as far as ...
Page 6
... earlier than Jesus anticipated.11 The pattern upon which John the Evangelist's work depends , of building new work through revision of the work of a predecessor , John of Patmos goes on to forbid to Christians who might aim to succeed ...
... earlier than Jesus anticipated.11 The pattern upon which John the Evangelist's work depends , of building new work through revision of the work of a predecessor , John of Patmos goes on to forbid to Christians who might aim to succeed ...
Page 8
... earlier texts , away from glosses of their " true " meaning , toward active interpretation that sought no single or final reading , and toward parody of a subtle sort . But while Renais- sance scholarship inquired much more into the ...
... earlier texts , away from glosses of their " true " meaning , toward active interpretation that sought no single or final reading , and toward parody of a subtle sort . But while Renais- sance scholarship inquired much more into the ...
Page 9
... earlier text . Montaigne , who carried this rearrangement further than others , mis- quoting and disguising both quotes and sources , was the premier exemplar of this use . Instead of submitting the present work to the earlier one , the ...
... earlier text . Montaigne , who carried this rearrangement further than others , mis- quoting and disguising both quotes and sources , was the premier exemplar of this use . Instead of submitting the present work to the earlier one , the ...
Contents
1 | |
25 | |
William Carlos Williamss Paterson | 73 |
Marianne Moores Poetry of Quotation | 129 |
Notes | 187 |
Bibliography | 221 |
Index | 231 |
Other editions - View all
Quotation and Modern American Poetry: Imaginary Gardens with Real Toads Elizabeth Gregory No preview available - 1996 |
Quotation and Modern American Poetry: Imaginary Gardens with Real Toads Elizabeth Gregory No preview available - 1996 |
Common terms and phrases
acknowledge allusions American appear argues argument associated attempt authority beginning borrowing called cited claims clear close comes complexity concern continues critics culture death demonstrated describes desire direct discussion earlier echoes effect Eliot employs evidence example fact fall father female feminine figures follows further gender gives hierarchy influence instance involves issues kind language less letters lines literary loss male Marianne Moore marks means Milton modernist Moore's mother move notes offers once operate originality particular past Paterson pattern phrase play poem poem's poet poetic poetry position possibility Pound present Press question quotation quotes readers reference relation represents role romantic secondary seems sense serves silence sources speak specifically standard story structure suggests texts things tion tradition transformation understanding University voice Waste Land William Carlos Williams Williams's woman women writing York
Popular passages
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Page 15 - And God said, Let there be a firmament in the midst of the waters, and let it divide the waters from the waters. And God made the firmament, and divided the waters which were under the firmament from the waters which were above the firmament: and it was so. And God called the firmament Heaven. And the evening and the morning were the second day.
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