Approaching Authority: Transpersonal Gestures in the Poetry of Yeats, Eliot, and WilliamsThis study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in "transpersonality"; by association with the objects of presences in the poem, they must translate their finite egos into mediating voices detached from the concerns of unique selfhood. However, complete transpersonality brings silence: the fact of utterance presupposes a unique perspective, never the totality of perspectives that an atemporal authority possesses. So, rather than the speaker's elevation to a position of authority, the necessary result of the transpersonality is instead that the speaker approach authority in calculated acts of mystification. |
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Page 213
... describe the primary quality is what makes the speaker's testimony credible . 6. Ferry describes this transpersonal process as a gesturing outward into figurative language instead of pointing solely at the self , thus redistributing the ...
... describe the primary quality is what makes the speaker's testimony credible . 6. Ferry describes this transpersonal process as a gesturing outward into figurative language instead of pointing solely at the self , thus redistributing the ...
Page 219
... describes Four Quartets in terms of a string quartet , a form that “ was before all else a principle for the expression and reconciliation of opposites in experience and feeling ” ( 28 ) . Thus , Alldrit finds not one speaker but a ...
... describes Four Quartets in terms of a string quartet , a form that “ was before all else a principle for the expression and reconciliation of opposites in experience and feeling ” ( 28 ) . Thus , Alldrit finds not one speaker but a ...
Page 222
... describes . 99 9. Sayre describes what is essentially a co - extensive relationship between mind and grasshoppers , both stone and actual : " the concrete weight . . . finds a ' counter buoyancy ' in the ' mind's wings " " ( 101 ) . 10 ...
... describes . 99 9. Sayre describes what is essentially a co - extensive relationship between mind and grasshoppers , both stone and actual : " the concrete weight . . . finds a ' counter buoyancy ' in the ' mind's wings " " ( 101 ) . 10 ...
Contents
Acknowledgments | 7 |
Logos and Ego | 44 |
Egocentered Authority | 72 |
Copyright | |
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abstract actual archetypal argues assert authenticity authority to mediate Book Burnt Norton centered authority claims co-extensive authority consciousness consequence create creative Cress cultural authority death descent desire display divine Dry Salvages East Coker effort ego and Logos ego-centered authority ego's Eliot empirical exist experience expressed failure figurative level Four Quartets gestures Hanrahan hieratic homologous human idea ideal identify identity images imagination individual inevitable interpretive invocation language Little Gidding Logos-centered authority Mary Hynes meaning mind mind's modern modernist movement Nature objective world passage Paterson perceived perception poem poem's poet poet's poetic authority poetic speaker poetry position presence pride prior projected reader purpose reading reality relationship reorientation rhetorical role Romantic Romantic poetry self-consciousness self's sense speaker's authority speaking ego structure T.S. Eliot temporal authority textual voice thority tion tradition transpersonal University Press vision W. B. Yeats William Carlos Williams Williams's Yeats Yeats's younger