Falstaff and Other Shakespearean Topics, Volume 10 |
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Page 1
... II of " Henry IV , " a happy casualty ? In 1 Reprinted from the Publications of the Modern Language Association of America , xxxiv ( 1919 ) , 1-13 . $ one criticism we read : " The usual fool not 1 SHAKESPEARE CREATE FALSTAFF?
... II of " Henry IV , " a happy casualty ? In 1 Reprinted from the Publications of the Modern Language Association of America , xxxiv ( 1919 ) , 1-13 . $ one criticism we read : " The usual fool not 1 SHAKESPEARE CREATE FALSTAFF?
Page 3
... language . Thomas Sec- combe is of the opinion that " for style , intellectuality , knowledge of human nature , and consequent profound appreciation of Shakespeare , Morgann's essay has not been 1 New Variorum edition of Much Ado ...
... language . Thomas Sec- combe is of the opinion that " for style , intellectuality , knowledge of human nature , and consequent profound appreciation of Shakespeare , Morgann's essay has not been 1 New Variorum edition of Much Ado ...
Page 14
... the stage , wish- 1 Reprinted with additions from the Publications of the Modern Language Association , xxix ( 1914 ) , 277-298 . ing to suppress all theatrical performances . The London corporation 14 IS SHAKESPEARE ARISTOCRATIC?
... the stage , wish- 1 Reprinted with additions from the Publications of the Modern Language Association , xxix ( 1914 ) , 277-298 . ing to suppress all theatrical performances . The London corporation 14 IS SHAKESPEARE ARISTOCRATIC?
Page 44
... Sir John Falstaff and Sir Toby Belch , who lubri- 1 Reprinted from Modern Language Notes , xxxiv ( 1919 ) , 82-88 . ' Twelfth Night , I , v , 139-41 . cate the plays in which they move as effectively as 44 DRUNKENNESS IN SHAKESPEARE'S ...
... Sir John Falstaff and Sir Toby Belch , who lubri- 1 Reprinted from Modern Language Notes , xxxiv ( 1919 ) , 82-88 . ' Twelfth Night , I , v , 139-41 . cate the plays in which they move as effectively as 44 DRUNKENNESS IN SHAKESPEARE'S ...
Page 50
... beautiful sub - plot , largely or possibly entirely by Francis Beaumont , in The Coxcomb . " See Modern Language Notes , xxxvi ( 1921 ) , too , felt keenly the disgrace of being overcome by 53-55 . 50 SHAKESPEAREAN TOPICS.
... beautiful sub - plot , largely or possibly entirely by Francis Beaumont , in The Coxcomb . " See Modern Language Notes , xxxvi ( 1921 ) , too , felt keenly the disgrace of being overcome by 53-55 . 50 SHAKESPEAREAN TOPICS.
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accepted action admiration Antony appeared beginning believe brought Brutus Cæsar called character cited Cleopatra close comedy comes complete concerning considered critic death drama dramatist Dryden edition effective Elizabethan emendations English entirely especially example explain expression fact Falstaff feel Fletcher Folio Furness give given Hamlet hath Henry interesting John Jonson King King Lear language later lines live London looked Malvolio meaning mind nature never night original Othello passage play poem poet Pope present printed probably Professor published Puritan Quarto question reason refer Robin Hood Rymer says scene seems Shake Shakespeare soliloquy speak speare stage story suggested tells Theobald thing thought tion tragedy true University whole writing written
Popular passages
Page 38 - I saw a smith stand with his hammer, thus, The whilst his iron did on the anvil cool, With open mouth swallowing a tailor's news ; Who, with his shears and measure in his hand, Standing on slippers, (which his nimble haste Had falsely thrust upon contrary feet...
Page 35 - And rouse him at the name of Crispian. He, that shall live this day, and see old age, Will yearly on the vigil feast his friends, And say — to-morrow is Saint Crispian : Then will he strip his sleeve, and show his scars, And say, these wounds I had on Crispin's day.
Page 182 - Upon the back of that, comes out a hideous monster, with fire and smoke and then the miserable beholders are bound to take it for a cave. While, in the meantime, two armies fly in, represented with four swords and bucklers and then what hard heart will not receive it for a pitched field?
Page 21 - And when I am king, as king I will be, — All. God save your majesty ! Cade. I thank you, good people : there shall be no money ; all shall eat and drink on my score ; and I will apparel them all in one livery, that they may agree like brothers, and worship me their lord.
Page 21 - Be brave then ; for your captain is brave, and vows reformation. There shall be, in England, seven halfpenny loaves sold for a penny : the threehooped pot shall have ten hoops ; and I will make it felony to drink small beer: all the realm shall be in common, and in Cheapside shall my palfrey go to grass.
Page 188 - Triumph, my Britain, thou hast one to show, To whom all scenes of Europe homage owe. He was not of an age, but for all time!
Page 51 - Though I look old, yet I am strong and lusty: For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility; Therefore my age is as a lusty winter, Frosty, but kindly: let me go with you; I'll do the service of a younger man In all your business and necessities.
Page 60 - Not to-day, O Lord, O, not to-day, think not upon the fault My father made in compassing the crown ! I Richard's body have interred new ; And on it have bestow'd more contrite tears, Than from it issued forced drops of blood. Five hundred poor I have in yearly pay, Who twice...
Page 85 - The fear of every man that heard him was lest he should make an end.
Page 35 - This story shall the good man teach his son ; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered, We few, we happy few, we band of brothers ; For he today that sheds his blood with me Shall be my brother.