Elizabeth Gaskell: Second EditionThis pioneering study, described as 'a model of feminist criticism' (The Year's Work in English Studies) on first publication, revealed Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, who maintained a steady resistance to aggressive authority, advocating female friendship, rational motherhood and the power of speech as forces for social change. This new edition presents the original text (except for bibliographical updating) together with a new and extensive critical 'Afterword'. |
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Page 146
... Schor is clearly not comfortable with ' a maternal , slippery lan- guage ' , the rhetoric of this passage reveals ... Schor's is that I find the maternal language of the novel to be inauthentic . Rather than a either ' a maternal ...
... Schor is clearly not comfortable with ' a maternal , slippery lan- guage ' , the rhetoric of this passage reveals ... Schor's is that I find the maternal language of the novel to be inauthentic . Rather than a either ' a maternal ...
Page 147
Second Edition Patsy Stoneman. moment in the text ' , Schor argues , ' is the challenge the Romantic poet resists : the identification made concrete , turned to " what if I were a fallen woman ? " ( 71 ) . In this context Schor argues ...
Second Edition Patsy Stoneman. moment in the text ' , Schor argues , ' is the challenge the Romantic poet resists : the identification made concrete , turned to " what if I were a fallen woman ? " ( 71 ) . In this context Schor argues ...
Page 149
... ( Schor : 171 ) In the end , Schor concludes that , like Ruth's , ' Sylvia's story [ . . . ] cannot be told . No wonder critics have neglected to read that story into the novel : the conclusion cannot frame it , for it is a story about ...
... ( Schor : 171 ) In the end , Schor concludes that , like Ruth's , ' Sylvia's story [ . . . ] cannot be told . No wonder critics have neglected to read that story into the novel : the conclusion cannot frame it , for it is a story about ...
Contents
The Story So Far and Some | 1 |
Blending the Selves | 14 |
Class and Gender | 30 |
Copyright | |
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aggressive argues argument authority Bellingham Bodenheimer challenge Chapple Chapter Charlotte Brontë child Chodorow context Cousin Phillis Cranford culture Cynthia Davies discourse domestic Elizabeth Gaskell ethic father feel female feminine feminism feminist criticism fiction Gallagher Gaskell's Gaskell's novels gender George Eliot Gibson Gilbert and Gubar Gilligan girls Hamley heroine human husband ideology industrial industrial novels innocence Jenkyns John Barton Johnston Kinraid ladies Langland language Lansbury literary London male Margaret marriage married Marxist Mary Barton Mary Wollstonecraft masculine maternal middle-class Molly Molly's moral mother motherhood nature North and South nurturing parental patriarchal Philip plot political relationship repressed responsibility Roger role Ruddick Ruth Ruth's Sara Ruddick Schor seems sexual Showalter silence social social-problem society speak story Sylvia's Lovers Thaden theory Thornton tion Unitarian Victorian voice wife William Gaskell Wives and Daughters Wollstonecraft woman women working-class writing