Attending to Women in Early Modern EnglandBetty Travitsky, Adele F. Seeff "This volume contains the edited proceedings from the 1990 symposium "Attending to Women in Early Modern England," which was sponsored by the Center for Renaissance and Baroque Studies and the University of Maryland at College Park. Edited by Betty S. Travitsky and Adele F. Seeff in collaboration with a national committee of scholars, the book focuses on the interdisciplinary study of women in early modern England, addressing such areas of scholarly concern as what new research concepts can guide scholarship on early modern women? How were the public and private identities of these women constructed? What were the similarities between visible and invisible women in early modern England? How can - and should - studies on early modern women transform the classroom?"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Page 15
... argued that the growth of Renaissance women's studies in which so many scholars are collectively involved has come about for three reasons , two of them purely intellectual and one social as well as intellectual . The first of these ...
... argued that the growth of Renaissance women's studies in which so many scholars are collectively involved has come about for three reasons , two of them purely intellectual and one social as well as intellectual . The first of these ...
Page 17
... argument traced above , and in a phrase that , in fact , refers to " Attending to Women , " Steen expresses the desire of contemporary scholars actually to know the women they recover : We must develop theoretical principles that ...
... argument traced above , and in a phrase that , in fact , refers to " Attending to Women , " Steen expresses the desire of contemporary scholars actually to know the women they recover : We must develop theoretical principles that ...
Page 18
... argue that our guiding principle in editing women's letters should be to interfere as little as possible with the sound of their voices . 14 In sum , the need to understand disciplines that we have not been formally taught , the ...
... argue that our guiding principle in editing women's letters should be to interfere as little as possible with the sound of their voices . 14 In sum , the need to understand disciplines that we have not been formally taught , the ...
Page 51
... argued at length elsewhere , the Countess of Pembroke achieved her literary role by reference to her slain brother , Sir Philip Sidney , whom she portrayed as a martyr to the Protestant cause ; because she continued her brother's ...
... argued at length elsewhere , the Countess of Pembroke achieved her literary role by reference to her slain brother , Sir Philip Sidney , whom she portrayed as a martyr to the Protestant cause ; because she continued her brother's ...
Page 67
... shadow of place but rather the open light . She proceeded to place herself in the open area of a garden where there would be no shadows . " 18 While it may be argued that the source of this. POSITIONING WOMEN IN VISUAL CONVENTION 67.
... shadow of place but rather the open light . She proceeded to place herself in the open area of a garden where there would be no shadows . " 18 While it may be argued that the source of this. POSITIONING WOMEN IN VISUAL CONVENTION 67.
Contents
35 | |
64 | |
Attending to Early Modern Women in an Interdisciplinary Way | 96 |
Workshop Summaries 18 | 103 |
II | 121 |
The Scholar of Womens History as Penelope among Her Suitors | 123 |
III | 145 |
Parental Death in Tudor and Stuart England | 147 |
High ArtLow Art in the Imagery of Early Modern Europe | 241 |
Attending to Literacy | 265 |
Workshop Summaries 1826 | 280 |
V | 299 |
Ownership of the Canon | 301 |
Responses to a Pedagogy Survey | 319 |
Pedagogy Workshop Summaries 14 | 336 |
VI | 341 |
Public Testimony of Their Godly Example and Leadership | 168 |
Private Lives Public Performance and Rites of Passage | 187 |
Workshop Summaries 917 | 198 |
IV | 217 |
Gender Class and the Exceptional Woman in Early Modern England | 219 |
A Script and Its Evolution | 343 |
Contributors | 356 |
Select Bibliography | 360 |
Index | 371 |
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Common terms and phrases
ADDITIONAL READINGS Alice Balstone Anne Boleyn Anne Clifford art history artistic Attending to Women Barbara behavior broadsheet Cambridge canon Chicago context Countess of Pembroke course court culture diaries discourse discussion Dürer's early modern England early modern women English Renaissance essay example experience female Feminism feminist gender Hannay Hans Eworth historians husband interdisciplinary issues Jane Anger Joan John Lady Anne Clifford Lady Mary Wroth letters Lisa Jardine literature lives London male Margaret marriage Martin Guerre Mary Sidney Medieval Melencolia mother Moxey Oxford patriarchal period poem political portraits printed questions records religious Renais Renaissance women Retha Retha Warnicke Robert role sance scholars scholarship self-fashioning sermons seventeenth century sexual Shakespeare sixteenth century social Society Stuart suggested texts theory tion traditional Travitsky Tudor University of Maryland University Press visual voice Warnicke wife woman women in early Women Writers women's history women's studies Workshop writing York
Popular passages
Page 82 - ... next came the Queen, in the sixty-fifth year of her age, as we were told, very majestic; her face oblong, fair but wrinkled; her eyes small, yet black and pleasant, her nose a little hooked; her lips narrow, and her teeth black (a defect the English seem subject to, from their too great use of sugar...
Page 70 - I know I have the body of a weak and feeble woman, but I have the heart and stomach of a king, and of a king of England too...
Page 179 - Now I lay me down to sleep, I pray the Lord my soul to keep ; If I should die before I wake, I pray the Lord my soul to take ; And this I ask for Jesus
Page 348 - And though I be a woman, yet I have as good a courage, answerable to my place, as ever my father had. I am your anointed Queen. I will never be by violence constrained to do anything. I thank God I am endued with such qualities that if I were turned out of the realm in my petticoat, I were able to live in any place in Christendom.
Page 161 - His mother was a votaress of my order : And, in the spiced Indian air, by night, Full often hath she gossip'd by my side, And sat with me on Neptune's yellow sands, Marking the embarked traders on the flood, When we have laugh'd to see the sails conceive And grow big-bellied with the wanton wind...
Page 350 - Her fault though great, yet he was most to blame; What weakness offered, strength might have refused, Being Lord of all, the greater was his shame...
Page 79 - Her mind was ofttime like the gentle air that cometh from the westerly point in a summer's morn, — 'twas sweet and refreshing to all around her. Her speech did win all affections, and her subjects did try to show all love to her commands, for she would say, ' her state did require her to command what she knew her people would willingly do, from their own love to her.
Page 86 - She kept the front of her dress open, and one could see the whole of her bosom, and passing low, and often she would open the front of this robe with her hands as if she was too hot.
Page 138 - Oh, had that soule which honor brought to rest too soone not left and reft the world of all what man could showe, which wee perfection call This halfe maim'd peece had sorted with the best. Deepe wounds enlarg'd, long festred in their gall fresh bleeding smart; not eie but hart teares fall. Ah memorie what needs his new arrest? Yet here behold, (oh wert thou to behold!) this finish't now, thy matchlesse Muse begunne...
Page 139 - Who first my Muse did lift out of the flore, To sing his sweet delights in lowlie laies...