Hard TimesThis story of class conflict in Victorian England serves as a powerful critique of the social injustices that plagued the Industrial Revolution. Always concerned with issues of class, social injustice, and employment, Dickens shows in Hard Times, written in 1854, a broader concern with the philosophies and economic movements which underlie those issues. Three parallel story lines reflect a broad cross-section of society and its thinking. This edition includes: -A concise introduction that gives the reader important background information -A chronology of the author's life and work -A timeline of significant events that provides the book's historical context -An outline of key themes and plot points to guide the reader's own interpretations -Detailed explanatory notes -Critical analysis, including contemporary and modern perspectives on the work -Discussion questions to promote lively classroom and book group interaction -A list of recommended related books and films to broaden the reader's experience |
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Page 17
... turned at the same time, in the same factory, on the same principles, like so many pianoforte legs.9 He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography,10 etymology ...
... turned at the same time, in the same factory, on the same principles, like so many pianoforte legs.9 He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography,10 etymology ...
Page 23
... turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a ...
... turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a ...
Page 34
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Page 42
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Page 43
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answered appeared asked Bank believe better Bitzer Bound Bounderby Bounderby’s brother brought called Charles Dickens Coketown coming considered dark daughter dear don’t door expression eyes face fact father fellow figure girl give gone Gradgrind hand Hard Harthouse head hear heard heart hope hour James Jupe keep kind knew known lady leave light live looked Louisa ma’am manner married mean mind Miss morning mother nature never night observed once passed poor present question Rachael returned round seemed seen side Sissy sister Sleary Sparsit speak Stephen stood stopped street sure tell thee thing Thomas thought Thquire took town trouble turned usual voice wait walk whole wish woman wonder young