Mashindano!: Competitive Music Performance in East AfricaFrank D. Gunderson, Gregory F. Barz 'Mashindano' - from Kiswahili, Kushindana (to compete) - is a generic term for any organised competitive event. Here it relates to popular entertainment activities within which cultural groups competing for recognition by their communities, as leaders in their fields. Nineteen leading scholars contribute new studies on this little researched area, making a long overdue contribution to musical scholarship in East Africa, with a focus on Tanzania. The authors address key questions: What are the various roles played by competitive pratices in musical contexts? How do music competitions act as mechanisms of innovation? How do music competitions act as mechanisms of innovation? How do they serve their communities in identity formation? And what, specifically, do competitive music practices communicate, and to whom? Local dance contests, choir competitions, popular entertainment, song duels, and sporting events are all described. Work is drawn from ethnomusicology, history, musicology, anthropology, folklore, and literary, post-colonial, and performance studies. |
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Page 351
... Lamu society . Nor was he willing to ignore the social injustices upon which it was based . That is why , after years of religious training in Lamu , Saleh decided to live with the coconut farmers ( wagema ) on the edge of town , where ...
... Lamu society . Nor was he willing to ignore the social injustices upon which it was based . That is why , after years of religious training in Lamu , Saleh decided to live with the coconut farmers ( wagema ) on the edge of town , where ...
Page 355
... Lamu archipelago performed throughout the late nineteenth century , Rama is one of the few that still remains . Rama's longevity can be explained by its dual function as a form of religious expression and a competitive ngoma . This ...
... Lamu archipelago performed throughout the late nineteenth century , Rama is one of the few that still remains . Rama's longevity can be explained by its dual function as a form of religious expression and a competitive ngoma . This ...
Page 356
... Lamu elite . A similar process explains the role of Mwenye Abdalla Zubayiri , an elderly contemporary of Habib Saleh , who in the 1870s elevated Rama to the rank of a Sufi ritual , and attracted Muslims and non - Muslims alike to ...
... Lamu elite . A similar process explains the role of Mwenye Abdalla Zubayiri , an elderly contemporary of Habib Saleh , who in the 1870s elevated Rama to the rank of a Sufi ritual , and attracted Muslims and non - Muslims alike to ...
Contents
The Diffusion | 21 |
Hot Kabisa The Mpasho Phenomenon | 39 |
Competition | 55 |
Copyright | |
12 other sections not shown
Common terms and phrases
aesthetics Agilendi Arab artists associations audience Bakari band Bhalo binti boma century ceremonies Christianity clan coast colonial contests cultural dance groups dancers Dar Es Salaam drums East Africa economic ethnic European female Fomu genre Gindu Nkima hip hop identity indÃngala Ing'oma initiation interview Islam jando Jazz Kenya KiSwahili Kunguiya Kwanza Unit Kwaya Lamu leader Lelemama Luguru Maji Makonde Malawi Malipenga malumbano Mapiko Matengo Matombo Maulidi medicine Mganda Mganda-wa-Kinkachi missionaries Mkinda Mlimani Park Mombasa Morogoro Muhambo musicians Muslim Muungano Muziki wa Dansi Mwanza Mzee Ndege Ng'wana Malundi ngoma ngoma competitions ngoma forms Nyakyusa Nyasa participation performance play political popular Rama Ranger relationship rhythm ritual rivalry role Salaam sexual Sikinde singer singing Siti binti Saad slaves social society song style Sukuma Sukumaland Swahili Taarab Tanga Tanganyika Tanzania teams tradition troupes Unyago urban Vijana village Waluguru Wamatengo witchcraft women young Zanzibar Zanzibar National Archives