"All the World's a Stage": Dramatic Sensibility in Mary Shelley's NovelsThis book examines the often tragic and nearly always disabling metaphor of the theatrum mundi , world-as-stage, as it plays itself out in the characters of Mary Shelley's novels. |
From inside the book
Results 1-5 of 49
Page
... : Public Spectacle and Private Lives Chapter Nine : Falkner : The Illusion of Romance Chapter Ten : Conclusion Bibliography Index 61 85 109 131 151 167 181 187 205 Acknowledgments There are many people whom I wish to acknowledge ix.
... : Public Spectacle and Private Lives Chapter Nine : Falkner : The Illusion of Romance Chapter Ten : Conclusion Bibliography Index 61 85 109 131 151 167 181 187 205 Acknowledgments There are many people whom I wish to acknowledge ix.
Page
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 1
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Page 2
Sorry, this page's content is restricted.
Sorry, this page's content is restricted.
Contents
Frankenstein Storytelling as Dramatic Performance | 35 |
Mathilda Life as Theatrical Production | 61 |
The Last Man Autobiography as Drama | 85 |
Valperga Theatrical Plots and Dramatic Intrigue | 109 |
Perkin Warbeck Problematic Roles and Identities | 131 |
Other editions - View all
'All the World's a Stage': Dramatic Sensibility in Mary Shelley's Novels Charlene Bunnell Limited preview - 2013 |
'All the World's a Stage': Dramatic Sensibility in Mary Shelley's Novels Charlene Bunnell Limited preview - 2013 |
'All the World's a Stage': Dramatic Sensibility in Mary Shelley's Novels Charlene Bunnell No preview available - 2014 |
Common terms and phrases
action actor Adrian Alithea audience Beatrice become Castruccio characters cited in text Clerval conventions Cornelia create creature daughter death demonstrates depict desire Despite domestic dream egocentric Elizabeth emotions England Ethel Euthanasia Fairleigh Dickinson University Falkner fame fate father feel fiction first-person narratives frame tale Frion Gerard Godwin Gothic fiction Gothic novels hereafter cited hero heroine human illusion imagination Joanna Baillie Journals Katherine Lady Santerre Last letter Lionel Verney literary lives Lodore Lodore's London Mary Shelley Mary Wollstonecraft mask Mathilda melodramatic Monina mother narrative narrator novel obsession passion perceive Percy Shelley Perdita performance Perkin Warbeck play public stage Raymond reality recognizes reveals Richard role Romantic Romanticism scene sensibility Shakespeare Shelley's social spectators spotlight story Sunstein sympathy tale tells theater theatrical theatrum mundi motif tion tragedy tragic Tripalda University Press Valperga Victor Frankenstein Walton William William Godwin Wollstonecraft Woodville words writes York Yorkists