The Story of the "Grafton" Portrait of William Shakespeare "Aetatis Svae 24, 1588,": With an Account of the Sack and Destruction of the Manor House of Grafton Regis by the Parliamentary Forces on Christmas Eve, 1643 |
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Page 10
... marks of neglect and maltreat- ment , but it was some consolation to find that it had not been violated by the hand of any pseudo- restorer , that no attempts had been made to hide its defects or to improve its appearance , and that ...
... marks of neglect and maltreat- ment , but it was some consolation to find that it had not been violated by the hand of any pseudo- restorer , that no attempts had been made to hide its defects or to improve its appearance , and that ...
Page 14
... mark were contemporaneous there is nothing to suggest that it did not refer to some Walter Smith or William Salisbury . As a matter of fact , this sunken device is quite modern . For when Miss Ludgate had the courtesy to bring the ...
... mark were contemporaneous there is nothing to suggest that it did not refer to some Walter Smith or William Salisbury . As a matter of fact , this sunken device is quite modern . For when Miss Ludgate had the courtesy to bring the ...
Page 15
... Mark Gerrard . These shadows are needful to give solidity and projection , and the quality which Mr. Berenson calls ' tactile values , ' and the absence of them is characteristic of portraits painted , roughly speaking , down to the end ...
... Mark Gerrard . These shadows are needful to give solidity and projection , and the quality which Mr. Berenson calls ' tactile values , ' and the absence of them is characteristic of portraits painted , roughly speaking , down to the end ...
Page 11
... marks are , on a mere superficial observation , found to be cut in the varnish and some of them seem to be bruised as if by the end of a scrubbing - brush or the grit in a sponge . In 1 See Appendix IV . , page 79 . 19 the course of ...
... marks are , on a mere superficial observation , found to be cut in the varnish and some of them seem to be bruised as if by the end of a scrubbing - brush or the grit in a sponge . In 1 See Appendix IV . , page 79 . 19 the course of ...
Page 12
... , Hogarth another , and Gainsborough is different again . Some special individual quality or style is to be found in every artistic work of mark ; each artist KING JAMES I. OCHRE AND SIENNA sets his own type 20 THE " GRAFTON " SHAKESPEARE.
... , Hogarth another , and Gainsborough is different again . Some special individual quality or style is to be found in every artistic work of mark ; each artist KING JAMES I. OCHRE AND SIENNA sets his own type 20 THE " GRAFTON " SHAKESPEARE.
Other editions - View all
The Story of the Grafton Portrait of William Shakespeare Aetatis Svae 24 ... Thomas Kay No preview available - 2015 |
The Story of the Grafton Portrait of William Shakespeare Aetatis Svae 24 ... Kay Thomas No preview available - 2013 |
Common terms and phrases
actor Anthony Smith appear artist Aubrey's Ben Jonson Bridgewater Arms bust century Chandos Christmas Eve church Colonell Wettam colour command Corfe Castle departure from Stratford Droeshout original Duke of Grafton Elizabeth Woodville engraving evidence eyes fact figure Grafton House GRAFTON PORTRAIT Grafton Regis GRAFTON SHAKESPEARE History of Northamptonshire horses House of Grafton Jonson King at Grafton King Henry King James King's known Lady Crane Ladye Gray London Manchester Manor Farm Manor House manors of Grafton married Misses Ludgate National Portrait Gallery Northampton Northamptonshire nose owners paid painted painter panel photograph picture play-house poet portrait of Shakespeare possession preservation prisoners Queen represents Shakespeare Richard Burbage Royalists SACK OF CORFE secret chamber sent Sergeant-Major Skippon Shakespeare portraits sienna Sir Francis Crane Sir John Digby souldiers Spielmann Stony Stratford stormed Grafton Stratford-upon-Avon surrender tenant tion tradition William Shakespeare William Sly Winston-on-Tees writer youth
Popular passages
Page 24 - Costly thy habit as thy purse can buy, But not express'd in fancy ; rich, not gaudy ; For the apparel oft proclaims the man ; And they in France, of the best rank and station, Are most select and generous, chief in that.
Page 24 - A made a finer end, and went away an it had been any christom child. A parted even just between twelve and one, even at the turning o' the tide. For after I saw him fumble with the sheets, and play with flowers, and smile upon his fingers...
Page 17 - TO THE READER. This Figure, that thou here seest put, It was for gentle Shakespeare cut ; Wherein the Graver had a strife , With Nature, to out-doo the life: O, could he but have drawne his wit As well in brasse, as he hath hit His face ; the print would then surpasse All that was ever writ in brasse. But, since he cannot, Reader, looke Not on his Picture, but his Booke.
Page 21 - Stranger, to whom this monument is shown, Invoke the poet's curse upon Malone ; Whose meddling zeal his barbarous taste betrays, And daubs his tombstone, as he mars his plays.
Page 34 - Though, as Ben Jonson says of him that he had but little Latin and less Greek, he understood Latin pretty well, for he had been in his younger years a schoolmaster in the country.
Page 29 - The clerk that showed me this church is above eighty years old ; he says that this Shakespeare was formerly in this town bound apprentice to a butcher, but that he run from his master to London, and there was received into the playhouse as a servitor, and by this means had an opportunity to be what he afterwards proved.
Page 28 - ... when he came to London, he was without money and friends, and being a stranger, he knew not to •whom to apply, nor by what means to support himself. At that time, coaches not being in use, and as gentlemen were accustomed to ride to the play-house, Shakspeare, driven to the last extremity, went to the play-house door, and picked up a little money by taking care of gentlemen's horses who came to the play ; he became eminent even in that profession, and* was taken notice of for diligence and...
Page 57 - It was a melancholy end to so fine a house, and so regally connected, that it should have fallen into the hands of the Parliamentarian forces in 1643. On Christmas Eve, in that year, being Sunday, the Roundheads, reinforced by troops from Northampton, entered the house, ' where they found great and rich plunder which they had for their paines,'£ and — the better the day, the better the deed — on Christmas morning fired it. Out of its ruins was constructed a building, now occupied by one of the...
Page 33 - Johnson was never a good actor, but an excellent instructor). He began early to make essayes at dramatique poetry, which at that time was very lowe ; and his playes tooke well. He was a handsome...
Page 73 - It is the bravest and best seat in the Kingdom, a seat for a Prince and not a subject. For the good of His Majesty's children hopes he will redeem the mortgage. The forfeiture is taken, and all His Majesty's tenants pay their rents to Sir Francis Crane. Hopes His Majesty will provide for his children as others do whom he has advanced. There is a general inclosing and converting...