"Swearing that men figures boldly contrasted, and admirably painted. I the stricken deer, so well has he called up our fold Cathedral of St. Paul, London, 4. p. 1483. One man, on the left, as you look at the pic-sympathies, that we must indulge ourselves in C. Wild. This also is a beautiful example of a ture, with his arm stretched forward, is a another quotation :superb example of foreshortening: and, what is of rare occurrence, the Saviour himself realises the idea of the divine beauty and earthly suf fering combined in this awful scene. We trust it will be engraved. No. 12. Judith. W. Etty, A.-This is also a very superior and magnificent work. Judith is uttering a short prayer while she raises the sword to smite off the head of the sleeping Holofernes. Her contour, attitude, and style altogether, remind us forcibly of Paul Veronese; while the male figure is well laid upon the canvass to shew the academical acquire-clusively applied to the passage of the poet, and ments of Mr. Etty. make principal, not subordinate characters in the performance. We regret to say, though a very clever painting, it does not come up to the idea of the enchanting spot in which the wizard of the poet is said to dwell. No. 249, The Happy Olden Time; and 438, Hero and Leander, are smaller, but equally excellent examples of the classical taste and great talents of this accomplished artist. Every thing he has done since his return from Rome entitles him to a foremost rank and the highest-In most of the views by this artist the ultra consideration with the public. No. 26. Ponte Realto, at Venice. S. Prout. judicions and well-selected portion of the old cathedral interior, rendered highly interesting by the group of figures introduced to assist at the penance of Jane Shore. We think, however, that the quotations had been better omitted, as the figure of the unfortunate female is not in accordance with the "fair and lovely." No. 144. Cornfield, Westmoreland. P. Are mere usurpers, tyrants. What's worse, To fright the animals and kill them In their assigned and native dwelling-place." No. 154, also without a title Barret is known by the quotation to be a scene from Thomson's Castle of Indolence; but from its general character of classic elegance, might be called a composition. The few figures that are Dewint.-There is little to distinguish this attracted to the wizards' haunts give no idea artist's present performances from those of of what the bard of the Seasons describes. This former exhibitions. In the familiar and pasbeautiful poem abounds with subjects suited toral scenes of nature we find his pencil ever to the pencil, which, however, should be ex-successfully employed, and not unfrequently engaged on the more elevated character of landscape, as in No. 161, Dacre Castle, Cumberland, where we observe great richness, and a very harmonious tone of colouring. In Mr. Dewint's effects there is often conveyed a quiet and soothing sentiment, which a happy contrast of a light and silvery sky with a broad and massy foreground seldom fails to produce. of colouring is seen. His tulip-beds of art are, No. 35. Remains of Peel Castle, Isle of however, replete with forms of grandeur, as Man. H. Gastineau. Time is a great caterer well as of the picturesque, and his broad and for art, and throws out more hints for the effective pencil is in accordance with the bril picturesque than can be well imagined by those liant character of his colours. It is a style, unacquainted with the principles of painting. indeed, in which many of our present artists He does not macadamise the rugged rock, or appear to revel as if they had broke loose from crumble at once into road-dust the decayed ruin; the trammels of a former and more sober but judiciously prepares them for the hand of the school: but, in this riot of the gay and the artist, who, following in his footsteps, carefully extreme, let them not forget the foundation collects these remains, and perpetuates their that was laid by their predecessors, of the cor-existence, affording food for the imagination to rectness, truth, and simplicity, in which the revel on past-by-times of Gothic grandeur and works of P. Sandby, Rooker, and Byrne, were of feudal power. We have been greatly deperfect models. It may be sometimes useful to lighted with Peel Castle, which, with its approNo. 285. The Spartan Isadas. C. Eastlake. look back on the drawings of these masters; priate lines, has called forth these brief remarks. -The representation of a Greek battle, as they may serve as an occasional corrective to There is, besides its local character of the described by Plutarch, in which a naked youth the exuberance of the newly adopted and pre-highly picturesque, a finely imagined form of rushes from the bath, and overcomes the armed valent manner, or, at any rate, prevent some cloud and sky, and an effect perfectly in unison enemies of his country by his valour impress-artists from running out of the course, in their with the scene. ing them with the notion that he was a god. eagerness to outstrip nature. Mr. Eastlake has done justice to his fine and spirited subject. Isadas is an Apollo in action, and the battle is ably and variously grouped; while the effect of his appearance on foes and friends is capitally expressed. We look upon this to be one of the first-rate pictures of the No. 1. The Dead Elephant. Scene in Ceylon. W. Daniell, R.A.-A peculiar, striking, and interesting performance. The scene is wild and curious, and Mr. Daniell has treated it in his ablest manner. No. 36, Attack of a Boa Constrictor, &c.-A good and worthy companion to the foregoing, though the serpent seems to be interminably long. No. 22. The Peacefulness of Christ's Kingdom. R. Westall, R.A.— This production varies little from preceding works by the same hand. We cannot pronounce it to be one of his best. year. No. 159. Alexander taming Bucephalus. B. R. Haydon. Another work of the same class, grouped with infinite spirit, and richly Contrasted in colour. As a composition, it reflects honour even on Mr. Haydon's talents; and places him as far up the ladder of an artist's laudable ambition as if he had the big letter A., or the still more attractive letters R.A., appended to his name. No. 106. The Challenge. H. P. Biggs, A. From the Orlando Furioso.-Rodomonte, on a fiery black horse, is challenging Ruggiero, who, with his bride Bradamente, is in the midst of Charlemagne and his Paladins. Here again we have to admire the boldness of the artist's pencil, the energy of his composition, and the fine grouping and expression of his characters. The subject is extremely poetical, and painted as it ought to be. WATER COLOUR EXHIBITION. No. 30, with a long quotation from "As you like It." R. Hills. The quotation here explains the subject. We have no difficulty in calling this the Wounded Stag, and should have done so, had the lines from Shakespeare been omitted. So well has the artist portrayed • A fine collection of this gentleman's pictures, by the best masters, was on sale yesterday, and is to-day, at Philips's SCULPTURE: EXTRAORDINARY GENIUS. No. 130. Scotch Peasants. J. Cristall. We do not quarrel with this artist's pencil be. It has been the good fortune, and we trust the cause it is classic. Forms of grace and beauty characteristic of the Literary Gazette, to bring are sometimes found in the unpolished rustic; forward talent under every circumstance in a shepherd's boy may accidentally assume the which it could be found; and as far as our dignity and air of a prince: but such accidents powers and our judgment would allow, place should, we think, serve as hints on which to merit in the view of the public: and we have depict more exalted characters. Generally not been in many instances without the satisspeaking, nature does not elevate our female faction of finding that our labours have not rustics into naiads of the fountains or nymphs been in vain. of the grove. Art may select, but truth must guide the painter in subjects of this class; but Mr. Cristall is now making all his ploughboys Apollos, and all his milkmaids Dianas and Venuses. We do not hunt for genius, nor travel to discover precocious powers, too often resembling the ignis fatuus, which astonishes for a while, and then is seen no more: but when we discover an individual in an obscure lodging, unknown No. 85. View, looking down the North Aisle and unpatronised, under every circumstance of of Westminster Abbey, with the Funeral Pro- privation and exclusion, occupied as a sculptor, cession of Queen Elizabeth. F. Nash.-Like and producing stupendous works of art, it beour coast scenery, pictorial architecture appears comes a duty, and it is our pride, to call the to have attracted the attention of our artists, attention of the public, and of the lovers and who, by a judicious selection of certain portions patrons of the Fine Arts, to the case of so of these interiors, have given it an interest, it gifted an individual. The person to whom we may be, greater than what a regular and perspec- allude is a Mr. Lough, the son, we believe, of tive view of the whole could effect. This, on a a small farmer in Northumberland; who, we fear former occasion, we observed; and we are con-not to predict, is destined to become, at no dis firmed in our opinion by most of the pictures we tant day, one of the greatest sculptors of modern have since seen in this class of art. In the view under notice, the accessory procession, in a singular and striking manner, heightens the effect of the "long-drawn aisle." A silent solemnity appears to pervade the whole scene; while the heraldic costume of the mourners comes in contrast with the pillared arches and fretted roof, and serves instead of the painted glass, which seems to have been an essential feature in all Gothic buildings. No. 113. The Penance of Jane Shore, in the times. This young genius, for he is yet only We have just ÁND THE LITERARY GAZETTE, AND recently completed; the one a group of small sort of military uniform firing off a bottle of figures, the subject, Samson slaying the Phi- pseudo-champagne, mounted as a cannon, and listines; the other, a colossal figure of Milo, marked 5s. 6d. We fancy, from the accessories, it the Crotonian athlete, at the moment when, is meant to satirise one of the many quacks with being unable to disengage his hands from the which this London hive of ours abounds. But in cleft of the tree he was endeavouring to tear our opinion, mere self-sought notoriety is not a asunder, he is devoured by wild beasts. They good ground for caricature: there ought to be are both perfectly miraculous. evasion of difficulties, but a daring defiance, small, a character in society however slight There is no a certain station in life, an influence however and a complete conquest of them. We will and dubious, otherwise the caricaturist is playnot assert that there may not be slight inac-ing the game of the charlatan. There are men curacies of detail (although the parts are ad- of very paltry ambition, even where the base mirably marked); but we are free to declare, thirst of dishonest gains may not prompt them that they are such productions as only the to seek, in being talked of, the chance of catchmost exalted and powerful genius could con- ing gulls: thus Waterton the traveller is (not ceive and execute. tumbled to pieces three times while he was notoriety's sake) figuring in the print-shops His Milo, we are informed, against his own wish, we are told, but solely for about it, from his not having money to pur-riding on a cayman or crocodile! Thus too our chase the materials necessary for its support! walls are chalked, not only near London, but to He will need support no longer, or England is remote parts of the country-for, as the fools insensible to the noblest efforts of the human are spread over the whole land, the knaves mind. the means in their power. Then, who would seek them as far and wide as they can with caricature Dr. Eady or the Blacking Manufacturers? Such subjects as these are no better than noxious insects. C. Varley and Blake flea-though also a bite-a more respectable and (the illustrator of "The Grave") caricatured a much worthier creature than the puffing species alluded to. to sustain. NEW PUBLICATIONS. Manchester, May 6. THE FALCON-MESSENGER. The warrior loosed the silken string SONG. The desert hath a dreary waste There may the tired pilgrim rest I would the wilderness of Love MUSIC. L. E. L. GUIMBARDE: THE JEWS-HARP. As something of the history of such a being must be interesting, we shall state the result of our inquiry. In his boyhood Mr. Lough amused himself in modelling the peasantry about him in common clay. perusal of Gibbon's Decline and Fall gave a The accidental classical turn to his mind, and he sought London to improve it. In London, for about two years, his course must have been one of intense study and prodigious labour, which nothing THE town of Manchester will at length be but the most undaunted spirit and irrepressible gratified by the opening of the first Exhibition enthusiasm could have enabled human nature of the Royal Manchester Institution, which SOME ten months ago we noticed the extraor By this notice of him we trust to be the when the lovers of the fine arts will have the simple machine by Mr. Eulenstein, then a vi means of putting an end to his privations of gratification of witnessing, for the first time in sitor to our metropolis. That gentleman, enwill take place on Monday, the 7th instant; dinary performance upon this very ancient and cheering him on his glorious way of procuring this town, a public exhibition of local and col-couraged by his reception amongst us, has now, him the support he so pre-eminently deserves lective talent. Of the pictures that compose we understand, returned to settle in London and of seeing him enabled, by the prosecution this exhibition we are enabled to speak in as a professor of the Spanish guitar; and we of his studies in an adequate manner at home terms of general praise; and several specimens by have had other opportunities of hearing him and in Italy, to reflect back an honour upon our first British artists (that have never before upon his own peculiar instrument. His mode his country and age, and we shall rejoice been exhibited) furnish a treat in themselves. and style of playing are not only curious, but in having been the instrument to make his Of the names which confer particular honour exquisitely beautiful; and as he has made value known and appreciated. on the undertaking, we are proud to see those some novel improvements on the Guimbardes, L'Adonis du Village. La Fleur du Village. Cooper, Members of the Royal Academy; and he extricates, not sweet sounds alone, but full of Calcott, Ward, Northcote, Pickersgill, and we shall briefly describe the process by which Two pretty engravings have appeared under Fradelle, Lonsdale, Pether, Hofland, Linton, and fine harmonies, from these slight organs. these titles. The young lady is an absolute Crome, Nasmyth, and other artists of esta- Originally, Mr. Eulenstein performed on two Queen of May, a Flora fitted to dazzle the blished reputation; whilst the local talent is of harps at once, changing them as required, with swains of some Arcadian village, but we fear the most respectable order. Lord de Tabley, great rapidity, and without interruption of the her beauty would set them by the ears. Adonis, however, is hardly worthy the nymph, most cordial support; and much praise is due ployed in one piece of music, tuned to different the great patron of the arts, has given it his theme. Thus perhaps a dozen would be emand seems as if he would be more at home in to the spirited exertions of the gentlemen of pitches, and capable of being run over a consithe foyers of the opera than on the Mantinean the committee, who have arranged the whole derable compass. The ease, the skill, and the plains. They are both clear engravings, dis- with great taste and judgment. From a Cor-execution, which Mr. E. thus displayed, were playing very considerable taste. the originals are from Germany. We believe respondent. The Nightmare. Engraved by W. Raddon. surprising; but he has gone far beyond his former powers in his new manner. M. Colnaghi. sists in performing upon four guimbardes at This cononce. They are fastened together by silk thread, two on each side, and being held to their position between the lips, the four tongues are struck, the vibrations produced, and the breath managed to prolong and vary the notes in a way which must be heard to be understood. We can compare the music to nothing more nearly than the Eolian harp, some tones of the finest musical snuff-boxes, and occasionally to the swell of melody in choir or convent, by distance made more sweet. Mr. Eulenstein's performances are well calcuAltogether, lated to delight taste as well as to gratify curiosity; and we recommend him cordially to the attention of the lovers of music. The FUSELI's striking composition, the Nightmare, has furnished work for the graver ere now. We remember it in mezzotinto, and, we think, in other styles.* It is now very cleverly executed in a bold and expressive line manner by Mr. Raddon, the subject faithfully preserved, and the wild and supernatural parts a happy mixture of the grotesque and terrible. Mr. Puff's Morning-Guns!! K. Heath delt. Published by T. M'Lean. THIS caricature represents a fellow in some • We observe that Mr. Christie is to submit the whole of Mr. Fuseli's pictures for sale at the end of the present month. The Nightmare, above, was, we understand, painted for Lady Guilford only a short time before the artist's death, and was nearly the last picture he finished: that formerly engraved was painted about fifty years ago, and the principal figure in it is less beautiful than in the last, nor has it the horned owl ORIGINAL POETRY. THE maiden turned her head away- SONG. She took a flower, and plucked the leaves, GERMAN FLUTE.-Among the instrumental performers at present in London, to whom we have listened with pleasure, at the Melodists' meetings and concert, and elsewhere, we have to notice M. Jean Sedlatzek, of Vienna, whose T execution on a newly invented German flute is Shave, or be Hanged. The " father of let- | fact, and one which shews the activity and of a remarkable character and effect. The in-ters," Francis I., with his court, royally amused power of the venom, that the rattle-snake which strument is lengthened, and has many ad- themselves in besieging the Count de Montgo-bit Mr. Drake having been sent to the Museum ditional keys, by means of which Mr. S. mery's house with snow-balls. The count re- of Natural History, and there dissected, one of produces combinations hitherto unknown to turned the fire by snatching a piece of burning the operators pricking himself eight days afterit. His manner is rapid, and his style wood out of the chimney, and throwing it wards with the scalpel which had been empowerful; as may be more generally ascer- amongst the assailants, it unfortunately fell ployed in the dissection, was immediately attained at the concert, which we perceive he upon the monarch's head, and burnt him se- tacked with a swelling in the hand, violent announces, at Willis's rooms, for Friday next, verely; so that he was obliged to have all his fine pains in the glands of the arm, &c. under the patronage of the Duke of Sussex, flowing locks cut off. At that period, an AbPrince and Princess Esterhazy, the Duchess of salom's head was the characteristic of royalty Leinster, &c. and with the assistance of many and nobility. His majesty was now obliged to of the principal singers and instrumental per- change the fashion; and he suffered his beard to grow; and crops and long beards were all the rage at court: but as the people had been accustomed to let their beards grow, there was no longer any distinguishing criterion between their pates and those of the nobles. This was duly represented to his majesty, who imme-superintendence of Baron Humboldt. diately issued an ordinance, ordering all persons who were not noble to shave their beards, sous peine de la hart, under the penalty of being hanged. Whether any really suffered for this capital crime, history sayeth not. formers of the time. DRAMA. KING'S THEATRE. THE re-appearance of Pasta on Saturday, Tuesday, and Thursday, and the début of Brambilla on the latter occasion, has infused new life into the Opera. The house is crowded every night. Pasta sings and plays as admirably as ever. Here Semiramide is almost perfection in both arts. The Arsace of Brambilla was more remarkable for powers of voice than for skill in its management. She is yet young, and has much to acquire in the science of music, before she can occupy a distinguished place in opera. Her performance, under great embarrassment perhaps, was also very defective. DRURY LANE. COVENT GARDEN. ADELPHI. MR. YATES concludes his Entertainments this evening; after which, we may cry "Stop Thief" in vain; for the hue and cry must follow this very clever performance immediately all over the country. VARIETIES. LITERARY NOVELTIES. Part I. (to be completed in eight parts) of a Selection and Italian, drawn from the Originals in various Museums of Architectural and other Ornaments, Greek, Roman, and Buildings in Italy, by John Jenkins and W. Hosking, Architects, is announced for speedy publication. The First Number of a Series of Lithographic Views in the Brazils, together with Scenes of the Manners, Customs, and Costume of the Inhabitants, from Drawings by will be accompanied by letter-press description, under the Maurice Rugendas, a German artist, is announced. It Messrs. Engelmann and Co. also announce a Series of Thirty-seven Lithographic Designs, by Charles Le Brun, developing the Relation between the Human Physiognomy and that of the Brute Creation; with a Dissertation on the System. We understand that Mr. Soane has in the press a Brief Statement of the Proceedings respecting the New Law Courts at Westminster, and the New Entrance for His Majesty into the House of Lords, with Engravings. LIST OF NEW BOOKS. 21. 58. bds.-Wordsworth's Excursion, new edition, fcp. 8vo. 108. 6d. bds.-The Busy Bodies, 3 vols. 12mo. 17. 4s. bds.-Adair's Little Spelling Book, 18mo. 9d. sewedAdair's Popular Lessons, 18mo. 1s. sewed-Adair's Scrip. ture Lessons, 18mo. 18. sewed-Adaptation of Scripture to Family Devotions, 18mo. 38. bds.-Five Years' Residence in Buenos Ayres, during the Years 1820 to 1825, 8vo. 68. bds.-Lord Holland's Letter to Dr. Shuttleworth, 3d edit. 18. 6d.-Farmer's Magazine, No. 3, 48.-Bismark's Tactics of Cavalry, by Major Johnston, 58.-Short View of the Recent Changes in Administration, 28.-Examinations of the Principles of Legitimacy, by Colonel Jones, 3s. 6d. Botanical Register, by Sydenham Edwards, Vol. 12. 21. 9s. Hints on Impressment, 28. May. METEOROLOGICAL JOURNAL,1827. Rattle-Snakes.-A report was lately read to the Académie des Sciences at Paris, from a committee appointed to examine into the cirTrial of the Wakefields, crown 8vo. 6s. 6d. bds.-Cathocumstances which attended the death of Mr.licism in Austria, by Count Dal Pozzo, 8vo. 98. 6d. bds.Drake, at Rouen, on the 8th of last February. Ritson's Memoirs of the Celts, crown 8vo. 128. bds.-ClaMr. Drake was an Englishman, of about fifty rendon's Life, new edition, 3 vols. 8vo. 17. 10s. bds.; large paper, 41. bds.-Graham's Domestic Medicine, 2d edition, years of age, and was conveying from London 8vo. 158. bds.-Michael, the Married Man, 2 vols. 12mo. THE Turkish Lovers continues to be performed crocodiles. Notwithstanding the precautions Mutual Credit, 8vo. 9s. bds.-Tom Telescope's Newtonian to Paris three rattle-snakes and several young 8s. bds.-Bishop of Salisbury's Review of Bull's Exposition, &c. crown 8vo. 8s. bds.-Babington on Set-off and with complete success. which he had taken to defend them from cold System, 18mo. 38. bds.-Ryland on the Chest, 2d edition, on the road, he found after his arrival that the 18mo. 2s. 6d. sewed-Guthrie on the Eye, 2d edition, 8vo. 17. 58. bds.-Poems, by Two Brothers, fcp. 8vo. 58. bds.; WE are glad to see that Miss Mitford's Foscari finest of the rattle-snakes was dead. The two post 8vo. 78. bds.-Boot's Lectures on Materia Medica, is to be revived this evening. others, which seemed in a languishing condi- 8vo. 3s. 6d. bds.-Lizars' Anatomical Plates, fol. coloured, tion, were carried in their cage into the dining-Houses, royal 4to. 17. 18. bds.; India proofs, 17. 11. 6d. 121. 128. half-bd.; plain, 77. 78. half-bd.-Hunt's Parsonage room, and placed near the stove. On exciting Wordsworth's Poetical Works, new edition, 5 vols. fcp. them with a small stick, one of them did not give any signs of life. To assure himself of the fact, Mr. Drake was so imprudent as to open the cage, to take hold of the reptile by the head and the tail, and approaching the window, to handle it for the purpose of ascertaining whether or not it was dead; when the Buonaparte Lexicographer.-Buonaparte in- snake suddenly turned its head a quarter round, vented the word spoliatrice; and M. Boiste, and plunged one of its fangs into the back of in his Dictionary, attributed it to him. This Mr. Drake's hand! The poor man cried out, made some noise; and the minister of police pronounced several words in English, and to sent for Boiste, severely reprimanded him, prevent any further accident, did not let go the and insisted on the leaf being cancelled. This snake, but was putting it again into the cage, was accordingly done; but on the fall of Napo- when he received another bite in the palm of leon, M. Boiste in all subsequent editions attri- the same hand. He then ran into the yard-Saturday buted the word spoliatrice to its real author. earnestly desired that a physician might be sent Miss Paton and the managers of Covent for-looked for water, and not finding it fast Garden have, we hear, separated, in conse- enough, rubbed his hand upon some ice at the quence of a dispute about the latter charging door. Two minutes afterwards, he took a cord fourteen shillings as the price of two orders given and bound it round his arm below the wrist. by the former to two of her nearest relatives. His agitation and anxiety were continually inAddison and Malherbe. Addison's extreme creasing, when the arrival of the physician in anxiety to write finely and properly sometimes some degree tranquillised him. The wounds Longitude. proved ludicrous. He was charged to write an were immediately cauterised; and the patient account of the demise of Queen Anne to Prince drank half a glass of olive oil. He then apGeorge of Denmark; but delayed it so long, peared perfectly composed; but in the course that the government was obliged to employ one of a few minutes the most fatal symptoms maof the clerks to do it, who afterwards boasted nifested themselves, and destroyed all hope of that he had done what Addison could not.-saving the unhappy victim. His death took Malherbe was still more unfortunate. He un-place in eight hours and three quarters after dertook to address some stanzas of condolence the accident. On examining the body, the to the President of Verdun: he was three outside presented nothing remarkable. In the years in performing his task; and when he inside, the organs were all healthy. It was presented them, the president had already observed with astonishment, that neither the ayed a more substantial mode of condolence brain nor the spinal marrow had experienced in taking a second wife. Le Globe, which re- any change, except that the membrane which lates this anecdote, calculates that during the covered it was slightly tinged with red. The twenty-five years of his poetical life, he wrote veins did not seem to be inflamed; and the Just thirty-three lines per year, and that he only morbid appearance which the corpse exWould waste half a ream of paper in the cor-hibited, was a great number of clots of blood retion of a single stanza, in the veins of the bitten side. It is a curious Sunday.... Wednesday 9 Barometer. 29.83 to Stat. 4 66. 29.78 29.74 5 48. 59. 29.60 29.46 6 7 8 Prevailing wind S.W. Generally cloudy, with rain on the 5th and 6th; at times heavy. Rain fallen .75 of an inch. .... CHARLES H. ADAMS. 0 3 51 W. of Greenwich. TO CORRESPONDENTS. We have again to reject a number of unauthenticated literary notices, and also many advertisements sent under that form. Sir,-Having had a dispute as to the punctuation of the following lines, written by some one while inspecting the ruins of Glastonbury Abbey, you would oblige me by inserting them in your Gazette of tomorrow, with the punctuation which you may think correct. The lines are Templa ruunt, sacræque domus, sed tuta, palati Tanta fuit monachis cura, culina manet. This I apprehend is correct. By noticing this you will One of your Constant Readers. oblige P.S. A considerable bet is depending on the above. Our verdict is, that the lines, as given, are correctly punctuated: the commas after tuta and cura are needful to prevent a confusion in the sense.-Ed. F. L. to Mary does not suit our page so well as it would a private communication to the lady. We cannot pay attention to communications so late as UFFOLK STREET GALLERY. the Public, from Nine in the Morning till Dusk. The D. T. EGERTON, Secretary. Suffolk Street, Pall Mall East. MUSICAL MUSIC. USICAL REMINISCENCES of an OLD FINE ARTS. The Exhibition connected the Prices affixed to each Article. the Hull and East Riding Institution, for the Promotion of the Fine Arts, will be opened on the 23d July next. The Works of Artists intended for Exhibition or Sale, must be at the Rooms between the 15th and 30th June, addressed to the Secretary. W. H. DIKES, Secretary. Hull, 26th April, 1827. Under the Patronage of His Royal Highness the Duke of Sussex, their Serene Highnesses the Prince and Princess Esterhazy, and the Duke and Duchess of Leinster. MR R. SEDLATZEK, (of Vienna, Performer on the newly invented German Flute), finding that the Number of Tickets in demand for his Concert, on the 18th of May, far exceeds his expectation, respectfully announces that he has been obliged to remove it from Queen Square, to Willis's Rooms, and that the Tickets already issued will be admitted on the occasion. Tickets, 10s. 6d. to be had at the Bar of the Thatched House Tavern; Willis's Rooms, and of Mr. Sedlatzek, No. 37, Castle Street East, Oxford Street. The Concert begins at Eight precisely. Just published, A engraved in the Line Manner, by W. RADDON, from a Picture by H. Fuseli, R.A. P.P. &c. in the Possession of the Right Hon. the Countess of Guilford. THE NIGHT MARE. Size of the Print, seven inches by nine. Proofs on India paper, 1. 18.; proofs on French paper, 168.; prints, 10s. 6d. London: Published by W. Raddon, 38, Sidmouth Street, Gray's A TERRESTRIAL PLANISPHERE, on an entirely new Plan, by means of which the principal Problems usually solved by the Globe, may be performed with great accuracy. Price 204. in case, with a pamphlet, containing a Description of the Planisphere, and Mode of working the Problem. Williams's Views in Greece.-Part VIII. of ELECT VIEWS in GREECE; engraved SE in the best Line Manner, from Drawings In imperial 8vo. 128.; proofs, on India paper, royal 4to. 14. 14.; Price 35. 6d. of the SEA of AZOF, and of the Black Sea; with a Review of the Trade in those Seas, and of the Systems adopted to man the Fleets of the different Powers of Europe, compared with that of England. By GEORGE MATTHEW JONËS, Capt, R.N. Printed for John Murray, Albemarle Street. In 2 vols. post 8vo. in SPRING; Retrospec tions, Biographical, Critical, and Historical. New Work on the Teeth.-In 8vo. price 14s. boards, THE SURGERY of the TEETH; Teeth and Gums, with Remarks on the Present State of Dental Printed for Thomas and George Underwood, 32, Fleet Street. "Books of this kind too often abound with quackery; of which, however, although some passages might have been omitted without detriment to the volume, we are happy in being able to acquit Mr. Koecker's."-The Lancet, Sept. 9, 1826. "The volume is one, indeed, from which those interested in this branch of the art will derive much information, and showi Mr. Koecker to be a man of good medical education, as well as of considerable research."-London Medical and Physical Journal, Lewesdon Hill, and other Poems, printed Oct. 1826. uniformly. "The volume of Mr. Koecker, though directed principally to the teeth, proves the great advantage of studying a single branch of medical science, after having acquired a knowledge of the general principles of the whole; and if not without faults, which we may point out, is certainly a better work, and more generally Medical 1826. instruct Repository and Review, Oct. acquainted with."--London lent practical dentist; and that the zeal and ability with which "We have reason to know that Mr. Koecker is a very excel. he manages every operation he undertakes, are truly praise. 1827. worthy."-Dr. Johnson's Medical and Chirurgical Review, Jan. "With these remarks, we beg leave once more to recommend the work to the medical profession, as one well deserving of their attention; and from the perusal of which, intelligent practi tioners cannot fail to derive hints that may be highly beneficial.” -Anderson's Quarterly Medical Review, Jan. 1827, Also, by the same Author, Reply to the Additional Strictures contained MODERN DOMESTIC MEDICINE; or, in the First Number of the "Quarterly Medical Review," on the CONTENTS of the MONTHLY REVIEW Buchan Literary Chronicle, Oct. 1, "We conscientiously recommend Dr. Graham's Treatise to the public, and feel much pleasure in the certainty that it will prove Mr. ARROWSMITH has just published a New General extensively useful. 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The A CLINICAL REPORT of the ROYAL ESSAYS on CURRENCY and CIRCULA-mitted, cured, and relieved, all of ted with bar of Patients ad TION, and on the Influence of our Paper System on the Remarks. Industry, Trade, and Revenue of Great Britain. By JOHN ASHTON YATES. Printed for Longman, Rees, Orme, Brown, and Green, Morbid Sensibility.-3d edition. DISPENSARY for DISEASES of the EAR, from 1817 illustrated Cases and Practical By J. HARRISON CURTIS, Esq. Aurist to his Majesty and their Royal Highnesses the Duke and Duchess of Gloucester, Surgeon to the Dispensary, &c. Printed for the Institution, and sold by T. and G. Underwood, 32, Fleet Street. or characteristic Condition of Indigestion, Nervous Irritability, By JAMES JOHNSON, M.D. for April, contains the Prize Hospital Report. In 3 vols. 12mo. PRAIRIE; a Tale. By the Author of "The Spy," "The Pioneers," "The Pilot," &e. Printed for Henry Colburn, 8, New Burlington Street. |