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poet, in the Confessio Amantis, makes Venus say

of Chaucer:

"And grete well Chaucer, when ye mete.
As my disciple and my poete;

For in the floures of his youthe,
In sondry wyse, as he wel couthe,
Of dytees and of songes glade,
The whiche he for my sake made,
The lande fulfylled is over alle,
Whereof to him in specyalle,
Above all other, I am most holde :
Forthy nowe in his dayes olde
Thou shalle him telle this message,
That he uppon his latter age,
To sette an ende of al his werke,
As he whiche is myn owne clerke,
Do make his Testament of Love,
As thou hast done thy shrift above,
So that my courte yt may recorde.

It has been supposed, on very slight grounds, that Chaucer's friendship for Gower met with some interruption towards the end of his life.*

Soon after his return from Italy, Chaucer appears to have been again employed on foreign service, for the records shew that he was absent from May to December 1379. In 1382, he received the appointment of comptroller of the petty customs of the port of London, in addition to his

* See page 204 of the present volume, and Sir H. Nicolas's Life of Chaucer, p. 39.

previous office of comptroller of the customs and subsidies; and in February 1385, he obtained the still greater favour of being allowed to nominate a permanent deputy, by which the poet must have been partially released from duties which can never have been agreeable to his tastes.

Several circumstances shew that Chaucer had some intimate connexion with the county of Kent, where he probably held property; and he was elected a knight of the shire for that county in the parliament which met at Westminster on the 1st of October 1386, and which closed its session on the 1st of November following; shortly after which (before the 4th of December 1386), Chaucer was dismissed from his employments, but for what reason we have not the slightest intimation, though it was doubtless connected with some of the petty intrigues of this intriguing reign. Probably, as Sir Harris Nicolas supposes, he had become obnoxious to the duke of Gloucester and the other ministers who had succeeded his patron, the duke of Lancaster, in the government, and it is well known that the proceedings of the parliament just alluded to were directed against the duke of Lancaster's party,

We know nothing further of Chaucer's history until the year 1388, except that he continued regularly to receive his two pensions of twenty

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marks each; but on the 1st of May in the latter year, the grants of these pensions were, at his request, cancelled, and the annuities assigned to John Scalby, which has been considered as a proof that the poet was at that time in distress, and obliged to sell his pensions. Exactly a year after this, in May 1389, on the young king's assumption of the reins of government, the duke of Lancaster's party were restored to power, and Chaucer again appeared at court. On the 12th of July, the poet was appointed to the valuable office of clerk of the king's works at the palace of Westminster, the Tower of London, the castle of Berkhemstead, and the royal manors of Kennington, Eltham, Clarendon, Sheen, Byfleet, Childern Langley, and Feckenham, at the royal lodge of Hathenbergh in the New Forest, at the lodges in the parks of Clarendon, Childern Langley, and Feckenham, and at the mews for the king's falcons at Charing Cross. He was expressly permitted to perform his duties by deputy, and his salary was fixed at two shillings a day. Chaucer held this office, however, only two years, having been dismissed from it before the 16th of September 1391, but the cause of his removal is unknown.

During the latter years of Richard's reign, Chaucer was evidently suffering from poverty, for instead of receiving as formerly his pension in

half-yearly payments when due, we find him constantly taking sums in advance; and, as these were not always paid into his own hands, we are led to suppose that he was suffering from sickness, as well as from want. He was now aged, as well as poor and needy; but the accession of Henry IV came suddenly to cast a gleam of brightness on his declining days. Within four days after he came to the throne, Henry granted him, on the 3rd of October 1399, a yearly pension of forty marks, in addition to the annuity of twenty pounds which had been given him by king Richard. On Christmas eve, 1399, the poet obtained the lease of a house near Westminster Abbey, where it is probable that he closed his days. His name appears in the issue rolls, as continuing to receive his pension, until the 1st of March 1400, when it was received for him by Henry Somere, the clerk of the receipt of the exchequer, who is supposed to have been a relation of the "frere John Somere," whose calendar is mentioned in Chaucer's treatise on the Astrolabe. Chaucer is stated, and with probable correctness, in an epitaph placed in 1550 near his grave in Westminster Abbey by Nicholas Brigham (a poet of that time), to have died on the 25th of October 1400, at which time, according to the supposed date of his birth, he would have reached the age of seventy-two.

The above are all the circumstances of importance connected with the life of Chaucer that are known to be true. Although, in the document in which they are found, he is looked upon only as an actor in the eventful politics of the day, we have other evidence that his poetical talents were highly appreciated by his contemporaries, as well as in the age which followed his death. By the English poets of his time, Gower and Occleve, he is spoken of in the warmest terms of praise; and that his reputation was high on the continent, we have a remarkable proof in a ballad addressed to him by the French poet Eustace Deschamps, which has been printed in Sir Harris Nicolas's Life, and in my Anecdota Literaria. This latter document shews us, also, that Chaucer was on terms of friendship at least with the French poets of his day. Occleve not only paid a tribute of affection to his "maister" in his poetry, but he painted his portrait in the margin of the manuscript, and this portrait, evidently a good one, was copied at different times and in different forms, and was no doubt the original of all the portraits of Chaucer we now have. The best copy appears to be that in the Harleian MS., No. 4866.

THE CANTERBURY TALES.

Chaucer's capital work is doubtless the Canter

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