| Oliver Goldsmith - 1856 - 560 pages
...even, smooth, and weak. Thus there is a remarkable contrast between the beautiful and the sublime : sublime objects are vast in their dimensions ; beautiful...polished ; the great, rugged and negligent. Beauty should not be obscure ; the great ought to be dark and gloomy. Beauty should be light and delicate ; the great... | |
| Abraham Mills - English literature - 1858 - 608 pages
...should compare it with the sublime ; and, in this comparison, there appears a remarkable contrast ; for sublime objects are vast in their dimensions, beautiful...line, yet deviate from it insensibly ; the great, in many cases, loves the right line, and when it deviates, it often makes a strong deviation : beauty... | |
| Edmund Burke - English literature - 1860 - 644 pages
...should compare it with the sublime; and in this comparison there appears a remarkable contrast. For tion, and in the transit bo smooth and polished ; the great, nigged and negligent ; beauty should shun the right ine, yet deviate... | |
| Edmund Burke - 1865 - 572 pages
...should compare it with the sublime ; and in this comparison there appears a remarkable contrast. For sublime objects are vast in their dimensions, beautiful...right line, yet deviate from it insensibly; the great in many cases loves the right line ; and when it deviates, it often makes a strong deviation : beauty... | |
| Virginia Waddy - English language - 1889 - 432 pages
...given in the following lines by Burke: "In this comparison, there appears a remarkable contrast; for sublime objects are vast in their dimensions, beautiful...right line, yet deviate from it insensibly; the great, in many cases, loves the right line, and when it deviates, it often makes a strong deviation ; beauty... | |
| Virginia Waddy - English language - 1889 - 432 pages
...given in the following lines by Burke: "In this comparison, there appears a remarkable contrast; for sublime objects are vast in their dimensions, beautiful...line, yet deviate from it insensibly ; the great, in many cases, loves the right line, and when it deviates, it often makes a strong deviation ; beauty... | |
| William Angus Knight - Aesthetics - 1891 - 346 pages
...interest than his separate discussion of either of them. " Sublime objects," he says (pt. iii. p. 27), "are vast in their dimensions — beautiful ones comparatively...— the great rugged and negligent : beauty should show the right line, yet deviate from it insensibly — the great in many cases loves the right line,... | |
| Edmund Burke - 1902 - 558 pages
...their dimensions, beautiful ones comparao tively small : beauty should be smooth and polished ; th« great, rugged and negligent : beauty should shun the...right line, yet deviate from it insensibly ; the great in many cases loves the right line, and when it deviates it often makes s strong deviation : beauty... | |
| Edmund Burke - 1909 - 458 pages
...should compare it with the sublime; and in this comparison there appears a remarkable contrast. For sublime objects are vast in their dimensions, beautiful...right line, yet deviate from it insensibly; the great in many cases loves the right line, and when it deviates it often makes a strong deviation : beauty... | |
| Charles William Eliot - Literature - 1909 - 470 pages
...should compare it with the sublime; and in this comparison there appears a remarkable contrast. For sublime objects are vast in their dimensions, beautiful...right line, yet deviate from it insensibly; the great in many cases loves the right line, and when it deviates it often makes a strong deviation : beauty... | |
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